The Gamers: Hands of Fate follows Cass (Brian Lewis) as he sets out to win a collectible card game world championship… and a date with Natalie (Trin Miller), one of the game’s top players. Meanwhile in Countermay, a world far across time and space, Myriad (Samara Lerman) begins to suspect that fate has stacked the deck against her as she attempts to save her kingdom from a ravenous army of the undead. Set at Gen Con Indy, a massive midwest games convention, this fantasy comedy from the makers of Dorkness Rising and JourneyQuest presents a new chapter in the epic, decade-spanning tale that began in The Gamers.
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There’s something magical about an Australian accent that seems to make even the most caustic wit come off with good-natured charm. And that delicate blend of deviant behavior and good intentions has skyrocketed Aussie comic Jim Jefferies to international acclaim with critics and fans alike. In this new hour-long special, the man hailed by Q Magazine as “Britain’s most offensive stand-up comedian” shares fresh tales from his life on the edge, including a menage a trois in Montreal and attending a party where God is on the guest list.
It contains a copy of Cem Yılmaz’s show CMYLMZ, staged between 2001-2007, recorded in Istanbul in March 2007.
Middle-classed young and dashing Rohit Kumar Saxena falls in love with wealthy and lovely Reshmi, and both decide to get married. Reshmi’s dad, the wealthy Diwan Sardarilal is strongly opposed to this marriage, but relents when Reshmi refuses to marry anyone else. As a result, Rohit and Reshmi get married. Shortly after their marriage, Reshmi gets pregnant, news that is very well received. Then Reshmi enters a beauty pageant, and wins it – being crowned Miss India, with offers to travel abroad. Reshmi decides that she does not want the child now, but Rohit opposes this decision. Both quarrel, and separate, and Reshmi goes back to live with her dad. Shortly thereafter, Sardarilal sends a legal notice to Rohit asking for a divorce. Devastated, Rohit seeks employment, and finds it as a station master at a remote hill station. He meets with Reshmi and her dad, and is humiliated because he is poor.
Parikka, the actor once called the Funniest Man in Finland, and his troupe are about to be executed for the atrocities committed during the Civil War in Finland. Jaeger Lieutenant Nyborg, an admirer of Parikka, suspects a definite miscarriage of justice. He wants to save the actors. The forthcoming visit of the German General von der Goltz to the prison island provides him with a suitable opportunity. Nyborg suggests that the actors prepare a comical performance for the visitor and not be shot. Instead, they will be given a new trial. Preparing a comedy in the horrible circumstances, in the midst of hunger and death, seems quite an overwhelming task. Only a handful of real actors are still alive, the rest of the troupe consists of stagehands. Parikka has to use all his inventive skills to be able to produce something funny.
When tyrannical dictator Joseph Stalin dies in 1953, his parasitic cronies square off in a frantic power struggle to become the next Soviet leader. Among the contenders are the dweebish Georgy Malenkov, the wily Nikita Khrushchev and Lavrenti Beria – the sadistic secret police chief. As they bumble, brawl and back-stab their way to the top, the question remains – just who is running the government?
Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teenage daughter, begin dating and eventually decide to get married. But they’re not prepared for the hostile reactions from their children, who are not very excited about the new union between the two families.
In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the “real” world.
A lesbian bachelorette weekend goes awry when one of the brides admits she’s never had an orgasm.
Mathias Gold (Kevin Kline) is a down-on-his-luck New Yorker who inherits a Parisian apartment from his estranged father. But when he arrives in France to sell the vast domicile, he’s shocked to discover a live-in tenant who is not prepared to budge. His apartment is a viager – an ancient French real estate system with complex rules pertaining to its resale – and the feisty Englishwoman Mathilde Girard (Maggie Smith), who has lived in the apartment with her daughter Chloé (Kristin Scott Thomas) for many years, can by contract collect monthly payments from Mathias until her death.
A young man recruits a film student to help him prove the existence of an urban legend.
Ginny Grainger, a young mother, rediscovers the joy and beauty of Christmas, thanks to the unshakable faith of her six-year-old daughter Abbie and Gideon, Ginny’s very own guardian angel.