Two best friends, garbage truck drivers in Hollywood become celebrities overnight after they find Cuba Gooding Jr.’s Best Supporting Actor Oscar for JERRY MAGUIRE in the trash and suddenly their lives go topsy-turvy.
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Romantic comedy from Academy Award winner Susanne Bier (Brothers, In a Better World), about two very different families brought together for a wedding in a beautiful old Italian villa.
A comedy/horror mockumentary that chronicles the unravelling of a production team who are attempting to produce the ultimate reality TV show pilot “Extremely Haunted Hoarders”. The team consists of a Professional Organizer, a Psychologist, two ghost hunters, and a crew of junk removers. They arrive in Rockford, Ohio, the hoarder capital of America. There they meet Murph Evans, a legendary hoarder with three crammed and condemned mansions. In their efforts to de-clutter the properties and reform Murph’s habit, the intervention unearths a literal house of horrors.
Pastry chef Helena poisons men who don’t meet her high standards. Her fiancé Charlie has nothing to worry about, at least until his sister Becca becomes suspicious of Helena’s culinary killing past. It’s up to Becca to save Charlie from both the altar and the grave.
In 1916, beautiful young mute Helen is a domestic worker for elderly, ailing Mrs. Warren. Mrs. Warren’s two adult sons, Albert (a professor) and womanizing impudent Steven, also live in the Warren mansion. Mrs. Warren becomes concerned for Helen’s safety when a rash of murders involving ‘women with afflictions’ hits the neighborhood. She implores her physician, Dr. Parry, to take Helen away for her own safety. When another murder occurs inside the Warren mansion, it becomes obvious that Helen is in danger.
Two playwrights, George and Charlie, are tasked with the challenge of creating the next “avant-garde, surrealistic, mind-bending neo-noire thriller”. As they write, the story comes to life in real time. However, their own emotions and arguments also begin to manifest on film, creating sharp twists and turns that affect the entire movie. Filled with hilarity and chaos, Murder, Anyone? is a comedic play-within-a-play-within-a-movie that contemplates the complexities of language, art, theater, film and more.
Micky Adams (Kelsey Grammer), an eccentric has-been rock musician, loses his grip on reality as his record label looks to drop him and his new “unique” albums. In hopes of breaking out of the mailroom, young Charlie Porter (Jackson White) is tasked with traveling to the musician’s bizarre home and forcing Micky out of his contract. Micky realizes Charlie could be the key to an artistic breakthrough and the pair’s unlikely friendship grows. The odd but powerful bond helps both gain perspective on the music industry, life, love… and the space between.
Dong-Ho, a singer of pansori, travels the country in search of Song-hwa, a fellow orphan who also studied under the same strict master.
As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.
A horror film festival, held in a theater which was once the scene of a tragic fire, turns into a real life horror show.
Two families attempt a daredevil plan to escape DDR with a homemade hot air balloon, but it crashes just before the border. The Stasi finds traces of this attempt to escape and immediately starts investigations, while the two families are forced to build a new escape balloon. With each passing day the Stasi is closer on their heels – a nerve-wracking race against time begins.