When the glittering Las Vegas revue she has headlined for decades announces it will soon close, a glamorous showgirl must reconcile with the decisions she’s made and the community she has built as she plans her next act.
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An obsessive fantasy nerd gradually becomes unhinged when a charismatic hipster joins his role-playing game
A young woman flees a fractured relationship traversing a road full of memories – from the blossoming of young love, to the intersection of betrayal, choice and loss. As her lover turned nemesis catches up to her she must find the strength to make meaning of it all and face him with hard truths.
Iris, a woman abroad in Seoul, teaches French and English in an idiosyncratic fashion that allows her to pursue her own philosophical and personal interests. Through four encounters over a single day, Iris probes students and strangers for information about poetry, their own histories, and their relationship to their egos.
Fresh from Chinatown in New York, Harry Young has taken over the illegal import business in the seamy Limehouse district of London, where he cold-bloodedly disposes of rivals and runs a smoky nightclub. He falls for a low-class, white pickpocket, diminishing his pride in the Chinese half of his heritage and sparking the jealousy of the nightclub’s moody star performer.
Ichikawa’s 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa’s film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.
When a group of friends hold a reunion to remember the life of a childhood friend who passed away ten years prior, they find out a friend in need isn’t always a friend indeed.
A moving, nostalgic portrait of the men behind the golden age of chanbara (sword-fighting dramas and films) that goes behind the scenes of the distinctive film genre for which Japan is most famous, with dominant performance by real-life kirare-yaku Seizo Fukumoto.
Two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico on a secret mission to prevent a megalomaniacal ex-Confederate colonel from selling a cache of stolen rifles to a band of murderous Apaches.
Max, Paul and Simon have been friends for 35 years. They take great pleasure in their one vacation a year together without their partners and meet-up regularly to spend evenings drinking or playing cards. Each has a successful career and they all appear to have perfect lives until the night Simon announces to his friends that he has just strangled his wife, Estelle after a blazing row. Max and Paul are horrified by Simon’s confession, but worse is to come when Simon asks them to lie and provide him with an alibi for the time Estelle was killed. Both men are torn between lying or turning over their best friend to the police.
The Bell Witch Haunting” is a powerful supernatural historic thriller based on terrifying actual events that took place in Robertson County, Tennessee from 1817 to 1821, in which a spirit tormented John Bell and his family, leaving him in a terrifying fight against the vengeful ghost to save his children and his own life. The haunting is the only known case where a spirit actually took credit for killing someone. After visiting the Bells home, Andrew Jackson said, “I vow I would rather fight the entire British Army single handed then face this witch again.” Written by Ric White