Hoppy and Lucky are headed to South America to deliver a heard of cattle. Bay guy Ralph Merritt gets in their way. For a while.
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Mortimer builds a fence for the cattle brought by Ken Morley. To retaliate, Slater who wants access to the land, builds a dam cutting off Mortimer’s water supply. When Ken confronts Slater, he is captured. Then lightning destroys the dam and Ken, imprisoned in a shack, is in the path of the oncoming water.
Banks are being robbed and people are being murdered in the down of Dead Eyes and the outlaw being blamed for the crimes is Johnny Ringo. When the real Johnny Ringo gets word of the atrocities being committed in his name, he teams up with legendary lawman Bat Masterson and together the tow must put aside their differences to solve the mystery of the counterfeit Ringo and bring peace back to Dead Eyes.
The gangster Colorado kidnaps Marshal McKenna. He believes that McKenna has seen a map which leads to a rich vein of gold in the mountains and forces him to show him the way. But they’re not the only ones who’re after the gold; soon they meet a group of “honorable” citizens and the cavalry crosses their way too – and that is even before they enter Indian territory.
Sandy Doyle, gambler and political chief of a small border town, seeks to gain control of the Bar-X Ranch, owned by Rufe Rickson, to further some undercover activities of his own. He counts on Rickson’s inability to stay away from gambling as the means to his ultimate success. Government investigator Oliver Shea and his assistant, Dan Haggerty, start a fight in Doyle’s place when they see Rickson being cheated and are invited to the Bar-X where Oliver and Helen Rickson, Rufe’s daughter, discover interest in each other and Dan finds himself pursued by Bell, the ranch cook. Sheriff Larson brings the prize money for the $5,000 race of the Rodeo Association, and that night it is stolen.
An escaped prisoner helps a mother and her son flee marauding Indians. Director Gordon Douglas’ 1958 western stars Clint Walker, Virginia Mayo, Richard Eyer, Brian Keith, Michael Dante and Russ Conway.
As young boys, two brothers, Jed (AKA: Chip) and John, witness their father being hung by a vigilante gang. Chip, angry and bitter, grows up to be an outlaw and leader of the feared Blue Chip Gang. John goes the other way and becomes a U.S. Marshal. Two brothers on opposite sides of the law, destined to become embroiled in an Arizona range war between cattlemen and farmers.
Once again billed as Montgomery Wood, Giuliano Gemma plays a civil war soldier who returns to his family land to find his family decimated, his property taken over by a family of Mexican bandits and his fiancee about to marry the Mexican gangster behind all this. Bent on revenge, he goes undercover disguised as a Mexican and discovers he has a daughter!
After a series of vicious crimes by a renegade group of cowboys, led by “Red Jack” Stilwell, a legendary tracker, Noble Adams is pulled out of retirement to capture Stilwell, dead or alive. Reluctantly, needing more men, he allows his son, Tom to tag along, revealing to Tom a whole brutal side of ruthlessness Noble thought he left behind.
Knowing the railroad is coming, Carter is after the rancher’s land. Bob and Chito return just in time to save Banker Stockton and his money from Carter’s men. When Stockton then lends the ranchers money, Carter has them burned out. Bob knows Carter is responsible and when Carter’s henchman Saunders is recognized, Bob goes into action.
A “prequel” of sorts to “Butch Cassidy and the Sundance Kid,” chronicling the two outlaws’ lives in the years before the events portrayed in the Newman/Redford movie.
A gang of cold-blooded outlaws narrowly escapes a blood-soaked bank robbery in a grimy frontier town. With a notorious bounty hunter hot on their trail, these nefarious criminals desperately need a place to hide out before night falls. Fate brings them to the home of the Tildons, a seemingly innocent family with two feisty daughters. As the men settle in, an impetuous game of cat and mouse plays out during the cold, black night. Come morning, nothing will ever be the same.
