Neeyln has always been the loyal enforcer for crime boss Harris back in London, taking care of problems and people that disrupt his illicit business. When Harris strikes a deal with an old friend — American oilman Preston — they find themselves in the wild hills of West Virginia. Contracts are signed and the whiskey flows in celebration, but overnight Neelyn’s girlfriend disappears, last seen with Preston’s wayward son Junior. Lines are drawn between family and friends, but nothing will stop Neelyn from getting answers — and retribution.

A young woman struggles in foreign countries to improve her self esteem to her family and to the community.

Cleo is six years old, has a myopic look and has been madly in love with Gloria, her nanny, since she was born. When Gloria receives a call and must urgently return to her home in Cape Verde to care for her two children, whom she has not raised, Cleo makes her promise to meet one last time. Gloria accepts and invites Cleo to spend the summer vacations on her island. A last summer that they will spend together, in Gloria’s family, before inevitably saying goodbye.

Francesco and Marta run a husband-and-wife design company in Rome. When Francesco’s aunt dies in Instanbul he travels there to sort out the hamam turkish steam bath that she left him. He finds a love and warmth in his relatives’ Instanbul home that is missing from his life in Italy.

In a small Saskatchewan town in the 1960s, Yvette Wong, a young girl of Chinese and Cree heritage, struggles with her Indigenous identity amidst family tragedy in this coming-of-age film directed by Mohawk artist and filmmaker Shelley Niro. Yvette’s mother, Katherine, discourages her from embracing her Cree identity, so she explores it in secret. As she learns more about herself and her Indigenous heritage, Yvette finds a friend in Maggie Wolf, who embraces being part Mi’kmaq and encourages Yvette to be proud of being Cree. When her classmates learn about her Cree ancestry, Yvette encounters the realities of being Indigenous, facing prejudice with pride and holding fast to her dream of becoming a doctor. Café Daughter is inspired by true events and based on Kenneth T. Williams’ play of the same name.

When Anne’s stepson returns home with a beautiful woman, she develops an obsession with the stranger whom she fears could destroy the privileged life she has built.

When the search engine he designs answers “yes” to the question “is the government of the United States evil?”, a brilliant computer programmer is arrested and held in isolation. Desperate, but keenly aware of the answer’s potential effect on the public, the programmer strikes a deal with his interrogators, agreeing to re-design the software in exchange for his freedom. As they search to understand why the program answered an ethical question and try to find a way to change its response, the faith and patience of both the programmer and his captors are put to the test. Suspenseful and darkly comic, S.E.R.P. is a film about coercion, innovation, and whether it is possible to do something good in the service of something evil.

Three mothers see their reality become completely, they are: Ruth, whose teenage son, Raul, faces problems with drugs; Elisa, trying to make up for the absence of her husband giving full attention to the child, the little Theo, and Lara, teacher who faces the dilemma of an unplanned pregnancy. These three women, living in different times of their lives, seeking comfort next to Chico Xavier. And Karl reporter remains insisting on interviewing the medium, even without being prepared for it.

Vampires Galen and Miranda have just moved to a renovated warehouse in Los Angeles. Galen is tired of the vampiric life and becomes attracted to Jennifer, a dancer living in the building opposite who is trying to perfect a piece of erotic performance art.

Rebellious 16 year old Poppy from Mailibu is sent to an English boarding school. Realising her Father isn’t coming back to rescue her she tries to get expelled.

A hitman suffers an emotional breakdown after killing his former mentor. In a bid to cope, he begins trying to connect with his would-be victims, leading him further into a hole of doubt.

The beautiful highlander Halka falls in love with the rich nobleman Janusz and rejects the adoring highlander Jontek. However, he soon finds out that the lord’s love promises cannot be trusted. This is the plot of one of the most famous Polish operas in a nutshell. Konstanty Meglicki’s Halka is one of three Polish pre-war adaptations of Stanisław Moniuszko’s work.