Wrongfully accused and sent to prison, a former basketball star prepares for the national slam dunk competition while finding redemption in himself and in those he loves.

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

Uptight Millie Haven has always followed the rules, but when she has doubts before her big Kansas City wedding, her attitude-prone little sister Emma, the least likely of heroes, comes to the rescue. They embark on a spontaneous roadtrip to their grandmother’s farm where, with the help of Grandma Mildred, they rediscover their bond.

It’s 1983, and hopeless junkie Dick gets an unwelcome visit from the past – his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.

At the top of their career, Eric & Quentin are doing a terrible bad buzz that threatens to wipe out their reputation.
To save their skin, they have only one solution: to realize a good buzz in less than 48 hours!

Sheridan O’Connor and Riccardo Rossi were destined to meet on the set of their first big movie together when barely out of their teens. What they didn’t know was that their on-screen chemistry would translate into a hot and heavy off-screen romance destined only for disaster. Now, living continents apart and a lifetime later, expecting their paths never to cross again, they are thrown back together to star in an updated version of their original film. The studio has high hopes that they will be able to attract the same audience who loved them the first time around. But working together again could demand greater acting skills than either ever imagined: long hours filming awkward romantic scenes, reliving the past and coming face to face with what fate has in store for them. Only slightly shaken and gently stirred by family and friends, Sheridan and Riccardo must find a way to make the perfect martini out of life so as not to waste a single drop of happiness.

Perpetually single Frankie decides to give up on men in favor of going all-in as a “dog mom.” But when she and her adopted dog, Tucker, cross paths with Jack and his dog, Dakota, she finds it difficult to stick to her resolution.

Two colleagues at a revolutionary research lab design technology to improve and perfect romantic relationships. As their work progresses, their discoveries become more profound.

Maggie – comes from the province. Only come to Warsaw to begin studies at the Academy of Fine Arts. When you leave school – with a diploma in hand – must find a job, which is not an easy task from the perspective of today’s graduates opting for more emigration than to seek a good job in the country. In the case of Gretel everything ends happily, and in addition to that dream job find your love?

On her wedding day, all that stands between a young woman and marital bliss with her soon-to-be husband is surviving the chaos and expectations of family and friends, each intensifying her spiraling panic.

It sounds like a budding writer’s dream: a bestselling first novel, a luxurious house in Malibu, and a trophy wife… But it all unravels when writer’s block and a failed marriage send Richard McMurray (Campbell Scott, The Exorcism of Emily Rose) out into the streets.

A mild-mannered professor moonlighting as a fake hit man in police stings ignites a chain reaction of trouble when he falls for a potential client.