Under the loving but firm guidance of an old fan turned director and cultural diplomat, and to the surprise of a whole world, the ex-Yugoslavian cult band Laibach becomes the first rock group ever to perform in the fortress state of North Korea.

The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

Jack Malik is a struggling singer-songwriter in an English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie. After a freak bus accident during a mysterious global blackout, Jack wakes up to discover that he’s the only person on Earth who can remember The Beatles.

A young rock singer is not appreciated by her band, and gets a postcard from Japan saying “wish you were here”. She takes what little money she has including ex-boyfriend’s rent money and goes to Tokyo. She has numerous cross-cultural adventures and ends up singing with a Japanese rock group looking for a gaijin gimmick.

A woman escapes from a massacre in a motel bedroom.

A young girl who has been abandoned by her former-groupie mother informs a fading rock star that she is his daughter.

After winning one of the world’s top singing competitions, a young musician from rural Jamaica struggles for stardom whilst battling life-threatening allegations about his sexuality.

G-FORCE is a music documentary that tells an aspiring story of how an ordinary teenage girl from Hong Kong (G.E.M.) overnight becomes the biggest female singer in China. Through her devotion to music and jaw-dropping music talent G.E.M.’s music melted the hearts of millions in China, her success story has inspired many in her generation; G.E.M. is to the core the voice of the next generation Chinese. Award-winning director Nick Wickham takes you through this 90-min music journey to witness the rise of the Chinese superstar. Along with G.E.M.’s spectacular performances the director also shines a spotlight on her untold stories, the sacrifices she has to make for staying true to herself in the endless uphill battle. A one in a billion story of inspiring adventure, involuntary conflicts, and unshakable devotion, G-FORCE is a must-see for all dreamers.

Rogers and Parton reunite and perform in a vacant theatre.

Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients who wants to stage the opera Cosi Fan Tutte by Mozart despite the fact that none of the patients are able to sing and none of them speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.

Jesus Christ Superstar Live in Concert is an American musical television special that was broadcast live on NBC on April 1, 2018 (Easter Sunday). Executive produced by Craig Zadan, Neil Meron, Andrew Lloyd Webber, Tim Rice, and Marc Platt, it was a staged concert performance of the 1970 rock opera Jesus Christ Superstar. The live production included an on-camera audience of about 1,500 people. Some of these extras lined two sides of the stage and formed a mosh pit effect. The production was expected to utilize as many as twelve cameras to film the special. In addition, a full dress rehearsal performance took place on Saturday, March 31, 2018 in front of an invited audience and was recorded. In the event of any difficulties during the live broadcast, the recording served as an emergency backup. It was ultimately not needed.

A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.