A fishing-boat crew takes on a dangerous commission to smuggle a group of illegal immigrants from China to Korea.

“Olivia” captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months.

Berlin intoxicated by the summerly Carnival. In the middle of it, there is Noah, a 12 year old boy, non-local, supposed to meet his father. Instead Noah chooses to spend his time with small-time crook Samuel. In between absurd fri…

When tabloid journalist Charlotte requests an interview with a famously private Count — not knowing he fled town years ago — the royal family convinces their groundskeeper to pose as him.

A Man Vanishes examines the concept of Johatsu, tackling the phenomenon of people missing in Japan over the years. It picks one such person from the list, someone who had seemed to disappear from the face of the earth due to embezzlement from his company, and the filmmakers begin an investigative documentary into the reasons behind and attempt at tracking him down.

Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna’s vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question – the blind spot that resides in all of us.

As the anniversary for an accident creeps up on community outcasts Sophie and Liam, so does an impossible choice. Beast is about how far you’ll go for love inside small town pack mentality, where the beast attacks and devours as one. If you’re not beast – you’re prey.

Terako (Sakura Ando) is a young woman without a job. She has an affair with Iwanaga (Arata Iura) who is married. His wife is in a coma. One day, Terako’s friend kills herself. After that, Terako sleeps all day long and wakes up only when Iwanaga calls her.

Kamla is deeply committed to her work as a psychiatrist; her patients find her both supportive and accepting. However, society does not necessarily accept her as she’s an unmarried woman in her 40s, still living with her elderly father. Her aunt, Ansaf, insists on bringing around potential husbands. But Kamla has, in fact, met a man – a glamorous writer, Youssif, who speaks in defence of love, freedom and women’s rights – and fallen in love. At the same time, she has acquired a new patient – Asmaa, a poor prostitute who suffers severe depression. Kamla empathises deeply with Asmaa, realising they have more in common as women than may first appear. But her mistake is to get personally involved with her patient, turning her own life upside down.

Raju comes from a middle-class family, and lives with his mother. He meets with nurse Shobha, and both fall in love. The only problem is that Raju somehow or other always gets mixed up in problems, and ends up getting in trouble with the police. As a result, he ends up getting in jail very often. One day he really gets into trouble by antagonizing a notorious gangster, and has to run for his life. Due to his “trouble maker” character no one really believes him, and it is upto him to save himself from this problem, without ending up in prison again.

A doctor’s research into the roots of evil turns him into a hideous depraved fiend.

On the same day, in the same accident, Wei loses his pregnant wife and Ming her fiancé. In Buddhism, one is given 100 days to mourn for the dead. Like two mice lost in a labyrinth, Wei runs around in circles while Ming calmly creeps down a determined path. But the pain and sorrow linger on. With the 100th day approaching, they wonder if they’ll ever be able to say goodbye.