Head over heels in love with a stern and cold older businessman’s young wife, a reporter is seduced into conspiring to murder him so she can inherit his estate, while pinning the murder on another businessman.
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A team of scientists is developing a new technology that captures the thoughts of a human subject and changes them into images. Still in its infancy, the technology changes thoughts into simple images and shapes. Two company interns (Matthew Andrews and Sarah Austin) have the chance to test the technology while they pursue a degree in neurosurgery. They study at a university along with other students (Anne Plaven). A brain surgeon named Dr. Marlen introduces the students to real life situations as several unexplained deaths take place around the city. When Andrews and Austin test the new technology at their company, Austin sees flashes of events in her mind. The events relate to the killings in the city. The flashes lead to new and dangerous discoveries. The students may not survive the experiment.
The film centers on a random act of theft that has put Tom Hammond’s life into a tailspin. Stolen from his bookshop is Tom’s most treasured possession, a photograph of him with his son Luke…their last moment of shared happiness. The Last Photograph is set between London in 2002, and a dark night in 1988 when Pan Am 103 was blown out of the sky over Lockerbie.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein’s final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer’s dissatisfaction with Eisenstein’s attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein’s death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
A group of men are told that they have won an “erotic vacation” at a fantasy island. In reality, they are being lured to the island by women they have wronged, and once there they are captured and set loose on the island to be hunted down.
Senegalese immigrant Aisha lands a job as a nanny for a wealthy Manhattan couple. As she prepares for the arrival of the son she left behind in Senegal, a violent presence begins to invade both her dreams and her reality, threatening to destroy the American Dream she is painstakingly piecing together.
During their childhood, Hanna and Clarissa were best friends. They spent every vacation together in an old summer house on a small island. Shortly after Hanna’s 9th birthday, they suddenly lost touch and only meet again unexpectedly 25 years later. Hanna is now married, has a seven-year-old daughter and is the chief resident physician at the hospital where she reunites with Clarissa. Her old friend has been brought to the hospital ER for overdosing on sleeping pills. The two women pick up their friendship where they left off and spontaneously decide to spend a few days on the island, just like in the old days. When Hanna learns that Maria, a playmate of hers from the island’s village, disappeared as a child and was never seen or heard from again, she begins to search in the past. Something horrible must have happened on the island and they must have been involved.
A father fights for decades to bring his daughter’s killer to justice in France and Germany before taking extreme measures.
A self-absorbed celebrity gamer, who speaks to millions of fans every day, has to figure out how to talk to the people in his life before he loses them.
Embodying Rainer’s aesthetic rigor and wit, the film combines fiction and documentary, script readings, dance snippets, still photos, and tableaux vivants to explore issues of power and gender that influence the emotional lives of her performers.
Grace is a beautiful young nurse who lives a life of pain and anguish. Her addiction to heroin has forced the authorities to take away her beloved daughter Jessica, and put her on the verge of losing her job at the hospital. Grace finds sickly solace at the end of a junkie’s needle as she burns the days away, lost in the darkness of despair. A near fatal overdose lands her in the very hospital that she works-but also into the hands of one of the hospital’s janitors, Clayton. He’s an odd survivalist who hunts rabbits on the weekends from an abandoned school deep in the desolate countryside. When Grace wakes up in the bowels of Clayton’s make-shift bunker, he tells her a bizarre story. One in which he has not only saved her from a life of drugs, but also from the horrors of the world itself.
Zahira, 18, is close to her family until her parents ask her to follow Pakistani tradition to choose a husband. Torn between family customs and her western lifestyle, the young woman turns for help to her brother and confidant Amir.
In January 1963, British journalist Leo Cauffield suddenly disappears from his home in Beirut. His wife Sally knew that he was working part-time for British intelligence, but was not prepared to be told by the British embassy that they suspect he has defected to Communist Russia. As his wife puts together the pieces of the mysterious jigsaw of the past, tracking her passionate relationship with her husband and his history as former head of MI6’s counter-espionage section, her relentless search for the truth takes her to London, New York and finally Moscow.