You earn as much as you work, and you live off that money. This simple proposition has always been a problem for Jung-cheol. At the soybean paste factory he went to work for in the bitter winter, he dreams of travelling to warm Philippines in spring – as long as he survives the winter making his portion of the soybean paste that he promised the boss. But the more he struggles to live, the worse it gets. And soon, the fermentation room turns musty with the black mold spreading from the thousands of ferment boiled soybean lumps.
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A true story of shocking violence catapults a picturesque little town into history. The close sibling relationship between the two maids takes on a new dimension as their overbearing employer discovers a sexual fever between the two sisters.
Poetic, experimental and different, Container is described by Lukas Moodysson as “a black and white silent movie with sound” and with the following words; “A woman in a man’s body. A man in a woman’s body. Jesus in Mary’s stomach. The water breaks. It floods into me. I can’t close the lid. My heart is full.”
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Alma, a lonely woman, falls for the conman who steals her money after seducing her. Frank doesn’t want Alma around him, but he cannot do anything about the situation in case she goes to the police. Hot on the trail of the two is a female private detective, working for another of Frank’s victims.
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