Olga, Katya, and Andrey have known each other since childhood. They moved to Moscow many years ago and have become successful. Olga is an actress, Katya works for a large-scale PR agency, and Andrey is a political analyst. They buy cars, take mortgages, build country houses. Just like everybody else. But their lives bring them neither happiness nor content. The feeling of “something’s not right but I can’t put my finger on it” underpins the lives of today’s thirty-year-olds. Their childhood took place during the Soviet era, when kids dreamed of becoming heroes, believed in spy stories and a bright future. Yet nobody expected that the dream of becoming a hero would be replaced by the dream of stable and predictable existence. People have stopped dreaming of truly grand things. They just play their roles.
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Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who’s aging quickly and becoming forgetful, mum’s ghastly upper-middle-class neighbors, and Cyril’s pretentious sister and philandering husband. Shirley wants a baby, but Cyril, who reads Marx and wants the world to be perfect, is reluctant. Cyril’s mum locks herself out and must ask her snooty neighbors for help. Then Cyril’s sister Valerie stages a surprise party for mum’s 70th birthday, a disaster from start to finish. Shirley holds things together, and she and Cyril may put aside her Dutch cap after all.
Dangerous Liaisons is the film based on the novel of the same name by Choderlos de Laclos set in 18th century France. Marquise de Merteuil’s asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned in this love triangle drama.
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Emily, a troubled spirit, haunts her own house every day, wondering why she can’t leave. With the help of Sylvia, a clairvoyant hired to rid the house of spirits, Emily is forced into a ‘patient/therapist’ relationship, uncovering disturbing mysteries about her past that may help her move on to ‘the next place
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A story about the beautiful but confused young woman Helene, who, according to her mother, was born as a ‘technical error’. Helene suspects that her father, who left his family before Helene was born, might be the once celebrated director of a dilapidated theater in Copenhagen. Assisted by a series of bizarre coincidences and by her mother’s dog (a creature in whose shadow Helene has always lived), Helene manages to get closer to her father.
Alexia Bissett, ex actress turned producer, lives in New York where she now produces gay cinema. After being called to take care of a situation which involves her young mute brother Christi, she decides to send her right hand man Maxwell to deal with it instead. Alexia owns an apartment complex in California called Luna Park, where her young actors stay while on location. Christi is the apartment caretaker and has been caught hiding in the closet of one of her actors he has a crush on. Maxwell feels indebted to Alexia for taking him off the streets and accepts the task with little protest. When Maxwell and Christi fall in love, Alexia is suddenly forced to deal with the secrets of her past, one of which threatens the boys young love in a way they can’t even imagine
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Elizabeth bristles at the religious directives of her parents, asserting her right to personhood outside demure hairstyles and turkey dinners, constructing voodoo dolls and entertaining other manners of dark drawing in her dank emo-den. When confronted with the humanity and hypocrisy of her tormentors, the young antihero vanquishes their belief systems (and bodies) asserting, “You killed me first!”
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