The incredible, behind the scenes, true story and exclusive footage of the most dangerous white gang of the 20th century. No actors, no recreations, just you, your personal guide Robert Hendrickson, The MANSON Gang and the most notorious living gangster in American history.

Viewed at a distance, the world of mountain biking is a disjointed network of seemingly similar but disconnected communities. Freeride. Downhill. Big Mountain. All Mountain. Dirt Jump. Slopestyle. A sport of individuals, equally defined by their many differences, as the common threads that bind. And while our story doesn’t follow a straight line, we all end up in the same place. Tire to ground, foot to pedal, hand to bar – communities drawn together by trails of dirt.

Exposing piracy in Somalia from the inside out, The Pirates Tapes follows Mohamed Ashareh, a young Somali-Canadian, as he travels to Somalia in hopes of joining an active pirate cell. Armed only with a hidden camera, Mohamed works his way into a cell run by a ruthless warlord, Jama Donyal, and is assigned to his first hijacking mission. When things take an unexpected turn, Mohamed finds himself on the run from the law with the danger of execution looming.

Joel Gilbert’s directing style is on full display here with a vapid look at how Donald Trump dominated the 2016 race, using The Art of the Insult to brand political opponents and bash the media all the way to the White House.

Janette is terminally ill and wants to die in a dignified way but this is not permitted under British law. She refuses to wait for death in unbearable pain so she opts for a physician-assisted suicide in Switzerland. Before departing on the final journey she has to explain her intention to the family members and close friends.

Billy D is in jail, Hildy is on the war path and Peter Merkin, as usual, is up to no good. The saga of the Bergers continues as Puscifer pairs the duo’s ongoing melodrama with a live, track-by-track re-imagination of the band’s critically-acclaimed 2011 album, Conditions of My Parole. Visually, “Parole Violator” is evocative of Keenan’s North Arizona homestead, with Puscifer’s performance married to striking visuals, dramatic lighting, and in a nod to the band’s 2011/2012 tour in support of the collection, closes with a campfire sing-a-long.

This year marks the 50th anniversary of ABBA’s iconic Eurovision victory, a milestone that calls for a celebratory cinematic tribute fitting for the ultimate pop band. ‘ABBA: Against the Odds’ unveils the epic journey of ABBA’s rise to global fame. Starting with the moment they won Eurovision, it tells the story of how they overcame critical backlash, societal attitudes and marital break-up to deliver their ground-breaking music and prove themselves as a live act.

Medicinal cannabis, along with other magnificent natural pharmacopeia, may be the answer to reclaiming our freedom and mending our bodies. This new film takes us on a fantastic journey into the natural realm of plant healing.

Gripping, heartbreaking, and ultimately hopeful, Waiting for Superman is an impassioned indictment of the American school system from An Inconvenient Truth director Davis Guggenheim.

An intimate portrait of Marcos López, unique and unclassifiable figure, film director, visual artist and one of the most prominent contemporary photographers in Latin America.

Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.

Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists’ agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.