Kazu works at “Funiculi Funicula” cafe. There is a mysterious rumour that if a customer takes a specific seat at the cafe, that customer can travel back to a time of their choice.

A week in the life of a bus driver and poet named Paterson, and his supportive wife Laura.

While on holiday in Rhodes, Athenian war hero Darios becomes involved in two different plots to overthrow the tyrannical king, one from Rhodian patriots and the other from sinister Phoenician agents.

English professor Susan Selky lives alone in a Brooklyn apartment with her young son, Alex. When Alex fails to return home from school one afternoon, a frantic Selky contacts the police. Detective Al Menetti, a father himself, takes an interest in the case that quickly turns into an obsession. As a devastated Selky struggles to come to terms with Alex’s disappearance, Menetti steps out from behind the badge to continue investigating.

The relationship between four female temps all working for the same credit company is threatened with the arrival of a new hire, who lands a permanent position one of the women was vying for.

Without a trace, Susie Potter vanished from her home in the quiet town of Skidmore, Missouri. Ten years later two reporters uncover a harrowing new detail, which leads them on an obsessive hunt for the truth through the dark labyrinth of rural northwest Missouri.

The story of two brothers: one who’s devoted to his family, the other who’s obsessed with the Manson Family.

The Black Widow is not dead … Drug Queen Carmen van Walraven is hiding in Canada and leads an anonymous life there. One evening a colleague is harassed and Carmen helps her. In self-defense, she kills the perpetrator, is arrested and extradited to the Netherlands. While her children are in shock that their mother is still alive, there are also some people who still have to settle something with Carmen. Everyone is again dragged into an emotional rollercoaster. Carmen will now have deal with her past to save her family.

The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.

In the snowy landscapes of a Canadian winter, sacred Balinese statues have been desecrated. Professor Rufus Elkin tries to stop the Balinese Gods from retaliating against those responsible for the crime, but he realizes that he is powerless to stop the rampage of death.

Jerome (Adam Deacon) breaks out of his council estate gang and becomes a successful and famous footballer, but he soon learns that his old life isn’t as easy to leave behind as he had hoped when his old gang catch up with him and start demanding regular payments.

There’s no place like home. As long as you know where your heart is.