A police detective, investigating a string of murders of strippers at a Los Angeles night club, must race against the clock to clear his name when he’s wrongfully accused of being the killer.

In the course of a botched purse-snatching, a boy comes to question the path of his life. Billy Woodberry’s second film, and first completed in 16mm, adapts Langston Hughes’ short story, Thank You, Ma’am, and features music by Leadbelly, Thelonious Monk and Miles Davis. (Ross Lipman)

The new owner of a supposedly haunted New Orleans plantation manor uncovers a shocking secret that has been hidden for over 100 years.

As a Sikh man with a full beard and turban, AMRIT SINGH is often the target of racial profiling. But when he sees his dreams of becoming Chief of Surgery at a state-of-the-art transplant center dwindle because of his appearance, Amrit goes against a tradition he’s maintained his whole life and cuts his hair. Hiding this decision from his girlfriend and family in Toronto is only the start of a series of compromises Amrit finds himself making as he deals with hospital politics and health care injustices. When his compromises result in the death of a patient, Amrit begins to reexamine the value of the religious traditions he’d turned his back on.

On the way home from an art gallery featuring her work, a talented artist, Ali, her husband and their young child get into a car accident. The woman’s husband and child die on impact, while the woman survives, but loses her eyesight. At her doctor’s suggestion, Ali hires a caretaker named Jeff to help her adjust to life as a blind woman, and upon returning home, Jeff’s aid proves to be indispensable in helping her acclimate; Ali even meets and quickly befriends her new neighbor, Linda. It is soon apparent, however, that Jeff is becoming increasingly possessive and jealous of Ali, and his obsession rapidly turns violent when Ali decides she needs less of his assistance because she is ready to resume living independently. Unsurprisingly, Jeff does not take the request well, and Ali is soon forced to use her remaining senses to fight for her life.

A strange and destructive relationship develops between a chef and her neighbor, a former child actress.

Freshly gotten out of prison, Bâtfoi wants to take his normal life back, by taking it step by step. He starts repairing engines through the village to earn a living in the most honest way and gets on by asking for forgiveness to his deceased father by taking care of his tomb and even plans to marry Alina, his girlfriend. This is where things start to get complicated.

Duke Red has overseen the construction of a massive Ziggurat to extend his power across the whole planet. Tima, a robot-girl built in the image of his deceased daughter, is at the core of these plans. However, after escaping the Duke’s clutches in a laboratory fire, she meets and befriends Kenichi, a boy who’s traveled to Metropolis with his detective uncle in search of a scientist wanted for organ trafficking. Will her relationship with Kenichi, and the realization of the truth of her existence, change her destiny?

The story of a young boy who witnesses Billy The Kid’s encounter with Sheriff Pat Garrett.

Harassed by bullies because of his mild autism, teen Ben finds refuge in an online computer game, which leads him to his virtual dream girl, Scarlite. Together, the odd couple seeks revenge against Ben’s tormentors.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

Sylvia has turned a blind eye for too long to husband Eddie’s flourishing drug business. When his dealing takes a (deadly) turn for the worse, however, her need to protect the lives and futures of her young children compel her to flee. But Eddie will stop at nothing to keep his wife inside the ‘family’.