A young man visits his ancestral home accompanied by his guardian and their wives, where he is plagued by the memories and influence of his murderous, psychosexual father.
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Le Navire Night is a story of love and desire sustained and nourished through sound waves. The film’s voice-over tells the story of a woman, terminally ill with leukemia, living in isolation at her wealthy father’s villa, and a man working night shifts at a telephone company. They have never met in person.
When two bus crash survivors awake to discover that they are the only people left in their small town, they must form an unlikely alliance in a race to unravel the truth behind their isolation. As strange events begin to unfold, they start to question whether the town they know so well is really what it seems.
Residents, who are evicted from their homes in a designated urban renewal, demonstrate against their removal. The police arrive and attempt to end the demonstration. Death happen that lead to the bigger problem.
An accident overthrows Ernst and Cecilia’s well-ordered life. Chance rules in Ernst’s rational world while Cecilia is searching for a deeper meaning in what has happened. As they drift further and further apart a suspicious stranger with exceptional gifts changes their lives in an unexpected way.
On the run from a lethal assassin, a wily con artist devises a scheme to hide out inside a small-town police station. However, when the hit man turns up at the precinct, an unsuspecting rookie cop finds herself caught in the crosshairs.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup’s mind.
When a lost traveler on Halloween night comes across an isolated rural gas station, she thinks she’s found her way home. Unbeknownst to her, the eerie gas station is the residence of a family of degenerate, devilish creatures.
Mike Nichols’ film from Edward Albee’s play brought new themes to the film industry. Elizabeth Taylor and Richard Burton have never been more brilliant together as they portray an experienced married couple who love each other yet verbally attack one another when they see how boring their naïve newlywed guests have made their night.
