After Chen Zhen’s execution in Shanghai, the Japanese feared that his death would unite all Chinese kung fu schools against them. Fearing this, the Japanese gave orders to the head of the Hong Ku School, Miyamoto (Lo Lieh) to surpass all Chinese schools including the Ching Wu School. When they refuse, the Japanese beat up the students and destroys the school. Meanwhile, one Chinese learns about the destruction of the Ching Wu School when he goes to Shanghai to visit Chen Zhen’s grave. This Chinese is the only one who has the guts to fight the Japanese, this Chinese is known as Chen Shen (Bruce Li) who is the brother of Chen Zhen and he vows to avenge his brother’s death and end the terror of the Japanese once and for all.
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The picture opens in Krasnoyarsk, Siberia, in late 1988, when military trainees Petrovsky, Ryaba, Chugun, Stas, Pinochet, Lyutev and Vorobyev are whipped into shape at a training camp by the brutal, sadistic commander, Warrant Officer Dygalo – prior to being sent off to the front lines. After several one-by-one dalliances with the local whore, Snow White, and a cautionary lecture on the history, geography and culture of Afghanistan (which most of the men sleep through), the trainees head off to battle – first to the Bagram air base, then to the Afghani province of Khost to secure supply lines. But nothing can begin to prepare them for the brutal devastation into which they are plunged, or the relentless tide of slaughter that scatters thousands of Soviet victims in its wake.
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Captivated by the lure of sudden wealth, the quiet rural lives of two brothers erupt into conflicts of greed, paranoia and distrust when over $4 million in cash is discovered at the remote site of a downed small airplane. Their simple plan to retain the money while avoiding detection opens a Pandora’s box when the fear of getting caught triggers panicked behavior and leads to virulent consequences
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The first film to fully expose the humanitarian crisis of North Korea, this stylish, deeply moving documentary is centered around astonishing interviews with survivors of North Korea’s vast and largely hidden prison camps, and interspersed with archival footage of North Korean propoganda films and original art performances.