A young girl goes to work as a live-in caretaker for a spooky old woman. She doesn’t know that every night, the woman drains some blood from her to feed her strange plant.
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Lily is a museum curator who finds a painting that looks just like her. Lily’s search for the artist leads her to Ireland, where she meets William, a charming man who helps her on her quest and may also know more about the portrait’s origins than he’s letting on.
In 17th century China, zombies and vampires roamed the lands, feeding on the unsuspecting. A group of martial artists / vampire hunters find themselves employed by a very rich – and very insane – old man who has kept everyone of his relatives preserved in wax and not buried. Apparently it is his family’s tradition. So, having generations of potential zombies in your cellar may not be the smartest idea ever, but it takes two to tango. In this case, a thief wants the old-man’s treasure and hires a zombie-wrangler to re-animate the waxed up relatives in order to sneak into the mansion and steal the treasure. It’s up to the kung-fu fighting vampire hunters to save the day (or night).
Kaj is a stubborn man with a great deal of pride. The former chef lives in a council flat. He has wasted his life and is now on a council job training scheme for the long-term unemployed, where he refuses to let the foreman of the activation project boss him about. When Kaj’s daughter, with whom he has not been in touch for nineteen years, moves into the same council estate on the run from her violent husband, a change comes over Kaj. His initial instinct is to avoid her, but by chance he ends up helping to look after Jonas, her six-year-old son. For the first time for years Kaj need not survive on his own devices. Now he has responsibilities and a family of his own.
Agnese has many men who woo her and live with her cousin Cesira, who has the opposite problem with men and wishes she would also have men woo her.
A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and Gabriella (the very beautiful secretary). Marco continues to kill as jealousy becomes more prevalent on the farm.
Frank, a man of action who worked his way up all by himself, dedicates his life to work. No matter the place or the circumstances, be it day or night, he’s on the phone, handling the cargo ships he charters for major companies. But when he has to deal with a crisis situation, Frank makes a brutal decision and gets fired. Profoundly shaken, betrayed by a system to which he gave his all, he has to progressively question himself to save the one connection that still matters to him: the bond he’s managed to maintain with his youngest daughter, Mathilde.
Infernal Affairs III is a 2003 Hong Kong crime thriller film directed by Andrew Lau and Alan Mak. It is the third installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the original.
In a pagan Estonian village where werewolves, the plague, and spirits roam, the villagers’ main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo. People steal from each other, from their German manor lords, and from spirits, the devil, and Christ. Amongst the disorder, a young farm girl hopelessly and forlornly in love with a village boy.
A comedy-drama, King Rat examines the possibility that years after graduation – whether it’s ten years or thirty – we may be stuck with the same issues we had before crossing that stage at commencement.
A bad night out just got a fair bit worse, it’s the end of the world! Something terrible has happened, the undead are out in force; roaming the streets and devouring all who get in their way. A group of soldiers, civilians and teenagers take shelter in a local school for protection from the undead hordes outside, but no rescue is coming. Food is running low – morale doubly so, tensions are high and things are looking bad when a stranger arrives outside the gate. Then they get a whole lot worse.