Ismael breaks into the house of a fine art restorer and shoots the homeowner dead, leaving her daughter orphaned and traumatized for life. Years later, Ismael is working in a bar where he sees the daughter again. Paranoid that she has recognised him and will report him, he kidnaps her and holds her hostage, demanding that her hospital pay a ransom for her release. As he spends more time with her, a strange bond develops that causes him to delay the ransom request or fulfil his threats of throwing her in front of a train. But he can’t delay forever…

Katiri is a reporter so ambitiously amoral that he’ll sell out anyone—including his partner and the drug dealer he’s sleeping with—to get a scoop. But what happens when an even more ruthless female gang boss kidnaps his sister?

Rod Steiger is ferocious as a scheming land developer in Francesco Rosi’s Hands over the City, a blistering work of social realism and the winner of the 1963 Venice Film Festival Golden Lion. This expose of the politically driven real-estate speculation that has devastated Naples’s civilian landscape moves breathlessly from a cataclysmic building collapse to the backroom negotiations of civic leaders vying for power in a city council election, laying bare the inner workings of corruption with passion and outrage.

A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.

When 16-year-old Manu realises that he has fallen in love with his bandmate Felipe, turbulent emotions start brewing beneath the surface. How do you avoid losing a friendship once its very foundation has shifted?

When teenager Ren and his family move from big-city Chicago to a small town in the West, he’s in for a real case of culture shock.

4 people intend to commit suicide together by blowing themselves up using a large ball of fireworks, but strange events occur, every times they explode, they don’t die and return to their initial state.

Six men. Two dories. The fight of their lives. Starring Billy Campbell, Shawn Doyle, Brian Downey. Directed by Shandi Mitchell. Filmed in Nova Scotia.

While in medieval Korea, a young girl sets out to revenge the betrayal and the death of her mother. But therefore she must face one of the most powerful men and warriors of the Goryo Dynasty.

Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) – think Duke University – and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He’s an alcoholic, fresh out of rehab. He gradually becomes Duke’s gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him?

A struggling young baker in no mood for the holidays returns to her small hometown, where her festive family and a handsome farmer try to get her back in the Christmas spirit.

Frank, a man without a criminal record, attacks a money transporter and then turns himself in to the police. His behavior is a mystery. In prison he meets the unscrupulous and suspicious Arab Fuad, who is protected by his clan. To get closer to Fuad, Frank intervenes in the drug business within the walls and gets caught between the two rival groups of German and Arab inmates. It is only the prison guard Susanna with whom Frank will be able to build a relationship of trust, not knowing that she is part of Fuad’s business and has a sexual relationship with him. However, they come emotionally close. What only Frank knows is that his wife and his daughter died in a car accident. Fuad was the hit-and-run driver that remained unpunished. Frank seeks revenge.