In the year 180 A.D. Germanic tribes are about to invade the Roman empire from the north. In the midst of this crisis ailing emperor Marcus Aurelius has to make a decision about his successor between his son Commodus, who is obsessed by power, and the loyal general Gaius Livius.

Based on the true story of brothers Josef and Ctirad Mašín who, in 1953, tried to escape communist Czechoslovakia to join the US army in West Berlin.

The mid 90’s. Turkey’s political instability, inflation and hopelesness on people were increased. In those years when all hope was lost, people deeply bond with Bold Pilot and Halis Karataş who win every race coming from the last place. People see themselves at the point where this horse and jockey are: at the back. This duo make people to believe that everybody can win. The race ends at the finish line and the first to cross this line are Bold Pilot and Halis riding it.

Rachel is a widow during the Civil War who holds the South responsible for her husband’s death. When a wounded enemy soldier takes refuge in her barn, Rachel reluctantly helps him. As she gets to know him more, she realizes she must protect him from the dangerous men pursuing him, and discovers a courage she didn’t know she had – the courage to love again.

Internet songwriter Chow (Cherry Ngan) is gifted with an extraordinary retentive memory. She never forgets anything she has heard. One day, she was kidnapped by Yung (Ronald Cheng), a street punk, to a remote fish raft so desolate that an escape plan seems to be a mission impossible. In the hope to flee with the only ability she has, Chow offers to give a spiritual music therapy to the rather maniacal kidnapper. What happens next is beyond anyone’s imagination – the two who have nothing in common begin to form an intimate bond and connection through music. More than that, Chow finds immense inspirations on this “floating stage”, while discovering the incredible singing voice and vocal range in Yung – a seemingly hopeless criminal can also possess a voice as captivating as the sound of nature…

Divided into three “kingdoms” — Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) — Notre Musique is an indictment of modern times.

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A lone, struggling addict takes on a dangerous underground criminal ring in his small Southern town to retrieve a stolen pendant he believes will save his marriage.

After the death of his wife, a man moves from Mississippi to a run-down Hollywood apartment, where he meets someone new.

Kishen is a newspaper baron married to Kaajal, a housewife who suspects her husband of having numerous non-existent affairs. Pooja is the believing wife of ever-philandering globe-trotting businessman Prem. Kishen and Prem are thick pals. Sanjana falls in love with Prem’s loyal photographer Sunny and they get engaged. Kishen gets tired of his jealous wife and tries to have an affair with Bobby, a call girl. Due to circumstances, Bobby is introduced as the wife of Kishen during Sanjana’s wedding, and as Sunny’s wife to Kaajal. It becomes a bundle of confusions when all three couples meet.

HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

Extremely shy Lars finds it impossible to make friends or socialize. His brother and sister-in-law worry about him, so when he announces that he has a girlfriend he met on the Internet, they are overjoyed. But Lars’ new lady is a life-size plastic woman. On the advice of a doctor, his family and the rest of the community go along with his delusion.