Magistrate Hwang’s daughter Jin-yi, is jilted before her wedding because a shoe maker was smitten with her and commits suicide. Jin-yi becomes a courtesan, and becomes famous for her wits and beauty. She falls for Byuk Kye-su, but he’s chosen to be an envoy to a far off kingdom. When he leaves she feels so betrayed she takes to a life of wandering. She meets Lee Saeng, a destitute scholar, and stays with him until she discovers he’s going to sell her to a group of itinerate clowns. Instead, she joins them willingly.
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Makoto Fukamachi (Junichi Okada) is a Japanese cameraman. He finds an old camera on a backstreet of Nepal. The camera might possibly solve the mystery of whether George Mallory became the first person to successfully climb Mount Everest on June 8, 1924 or not. Pursuing the old camera’s past, Makoto Fukamachi meets legendary Alpinist Joji Habu (Hiroshi Abe). Joji Habu is isolated from other people because of his reckless and thoughtless personality.
Becca, Adam and their 5-year-old daughter Acie are a perfect family until a tragic accident during a 4th of July celebration kills their father. Struggling with grief, Becky decides she needs to leave the family farm and all its memories. She leaves Acie with her grandfather Ben and visits with her friend from school, June. With all the best intent, June offers Becky plenty of distraction from her family life. Fueled by her anger at G*d and loss of faith, Becky starts drinking and making other self-destructive choices. Then, after Becky is arrested, Ben threatens to keep Acie until Becky is back on track. A chance encounter in a bus station with a traveler gives Becky what she needs to restore her faith and reunite with her family.
Mathieu, a piano virtuoso, goes home to help his brother Paul to take care of their sick mother. Paul is into reenacting old battles, dressing up and getting into character, even dueling if necessary. Mathieu gets involved in this world and play becomes real.
An aging actress is desperate to become a mother. In menopause and too controversial for legal adoption, she decides to illegally adopt from a pregnant teenager while publicly faking pregnancy. The ensuing media circus at first revitalizes her career but then threatens to grow out of control and destroy everything she cares about.
To the Beat follows 14-year-old twins Mia and Mackie Castillo – dancers since they were toddlers. Beginning at just three years old, that’s been their one true passion. They support each other through competitions and rehearsals, even though they dance different styles. Mia loves tap and Mackie loves jazz. When their favorite pop star launches an online contest to find the most unique dance group for his next music video, the twins each form their own team to compete for the chance to dance in the video – enlisting their friends and family to help gain online votes. Meanwhile, their arch rival and neighbor, Avery, the best dancer of all (who knows it too) uses her charm and resources to get the upper hand in the competition.
An oil-field worker from Texas journeys to Australia to look for his missing sister, and his search winds up getting him involved with a violent drug-smuggling gang.
Billy Hoyle and Sidney Deane are an unlikely pair of basketball hustlers. They team up to con their way across the courts of Los Angeles, playing a game that’s fast dangerous – and funny.
Anita Jackson is thrilled when she and husband Jack move to an exclusive neighborhood with their adopted daughter Jilly. When she is invited to join the development’s “Wives Club”, her calendar is suddenly filled with parties, play dates and posh lunches. But strange things keep happening and the wives are more interested in befriending Jilly than her. When she discovers a former member of the Club died suspiciously, she is certain those Wives killed her.
Based on a real-life historic court case, a bold journalist questions a revered leader’s immoral behavior.
The new owner of a supposedly haunted New Orleans plantation manor uncovers a shocking secret that has been hidden for over 100 years.