Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother’s death.
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Barbara Hershey stars as Carla Moran, a hard-working single mother until the night she is raped in her bedroom by someone – or something – that she cannot see. Despite skeptical psychiatrists, she is repeatedly attacked in her car, in the bath, and in front of her children. Could this be a case of hysteria, a manifestation of childhood sexual trauma, or something even more horrific?
Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but that relationship creates scandalous situation and is likely to lead to monarchy crisis.
Zenobia, Queen of Palmira, revolts against Rome and defeats the Roman troops, but she makes a big mistake when she falls in love with enemy officer Marco Valerio.
Indu’s husband, a government employee, believes in using the state of Emergency to advance his career, but a moral and ideological discrepancy sets her on a own path.
Police officers John and James investigate the case of Lee, a businessman. They seek help of Suki, a friend who double-crosses them and the two officers regroup after a setback to solve the case.
When Maria (Lisa Carlehed) meets Niels for the first time, he comes across as an angry and unsympathetic young man. His chronic illness has been concentrated into a single wish – to go to a Swiss nursing home for euthanasia. But in order to get there, he needs a volunteer escort.
This is the story of the life of the great queen of of the steppe – legendary Tomiris. She is destined to become a skillful warrior, survive the loss of close people and unite the Scythian/Saka tribes under her authority.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
A girl from bourgeoisie discovers the pleasures of banditism, following her lover in his lifestyle.
