After selling out his world tour in record breaking time and receiving rave reviews, internationally renowned, award-winning musician, comedian, actor, writer and composer, Tim Minchin is back… Filmed in front of a live audience at London’s Shepherd’s Bush Empire, Back is a musical comedy spectacle of ‘Old Songs, New Songs, F*** You Songs’, showcasing material from all corners of Minchin’s eclectic repertoire. A hilarious display of his extraordinary wit, musical virtuoso, self-mockery and philosophical observations, Back is a truly unique and unmissable show.
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The fearless one-eyed weasel Buck teams up with mischievous possum brothers Crash & Eddie as they head off on a new adventure into Buck’s home: The Dinosaur World.
John Pettibone (Droopy), a dog whose love of Dixieland music is not appreciated by those around him, has a lucky meeting with Pee-Wee Runt and his All-Flea Dixieland band at the circus.
Andrey Pavlovich Buzykin, who makes a living by teaching at an institute and translating English literature, is cheating on his wife. Buzykin’s main problem is that he’s a kind man with a weak character. The lies he is telling his wife all the time are inconvincing, but he never has the courage to tell her the truth. His lover, Alla, is aware of his family life, but gets offended when, for example, he cannot meet her so that he doesn’t come home late, or when he doesn’t want to go home in a new jacket she gives him to avoid having to explain to his wife. Alla and Nina, Andrei’s wife, both leave him, forgive him, and return to him at the same time, and Andrei continues with this kind of life, full of suffering and deceit. Finally, both women are so fed up with his lies that they don’t believe him even when he is telling the truth…
CEO of the Morton Pumpkin Company decides to commemorate the 200th anniversary of the cutest town ever founded with a bake-off. The town sweetheart is expected to win. When her niece is left to stay, winning seems out of reach.
Jane, with plain looks but a heart of gold, is always in between jobs. Once she gets a job, her knack for creating awkward situations immediately loses it for her. Ricky is her suitor, but he gets nowhere as the girl has no time for love. So Ricky goes along with her in job hunting. Somehow, Jane lands on a job as governess. Not to a child, but to an uncouth very old, very rich man who still wants to lead the life of his poor, uncivilized youth. His son is now running the old man’s millions. He wants to bring up the father the civilized way. And he wants to take over the whole city through take-over deals. He is ruthless and has thrown thousands into the streets.
When a recently retired military officer Colonel is tapped by his old friend to take over the military division to help save declining Stone Creek Academy, he immediately clashes with academics dean, a civilian woman whose “touchy-feely” methods are at complete odds with his.
The love story of a young man and the singing, suicidal femme fatale who leads him on a topsy-turvy search for his long lost-evil brother. As he gets closer to finding the truth he must decide who to trust and what to believe.
A ghost from the 1920s refuses to leave the home just listed by Anna, a new real estate agent. Worse, the spirit is convinced she cannot “pass over” until she gets Anna back together with her ex.
Based on the semibiographical novel by Jun Miura, Oh My Buddha is the classic summer coming-of-age story that is burned to a crisp with teenage angst, youthful dreams and that warm sense of folk zeitgeist of the 70s. The narrator is a first-year student at an all-boys Buddhist school. Jaded by his dull, ordinary life, he longs for the type of creative, liberal and forward life his idol Bob Dylan leads, writing rock songs alone in his room, imitating his hero’s signature croon, until one day he got invited on an island trip of sexual liberation with his fellow liberal friend.
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.