Traveling salesman Kuruma Torajirō falls in love with an inn manager as New Year’s approaches.
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Complex plots? This director didn’t want them. Expensive, famous stars? Didn’t need them. Glorious sets and costumes? He could take them or leave them. With his choreographer Hsu Hsia, John Lo Mar liked making lean, mean, fighting movies, and fans rejoiced. Here Wu Yuan-chin stars as “the Kid,” a monk whose education in the aptly named “Crazy Lo Han Fist” finds him battling a cruel bandit’s son and befriending an abused prostitute. From then on, it’s one fight after another in another John Lo Mar martial arts marvel.
At age 30, French comic Kev Adams gets up close and personal about how life has changed since his big break 12 years ago — and not always for the best.
After catching their husbands with other women, two wives go on a girls-only vacation.
Episodic journey of an Italian journalist scouring Rome in search of love.
Simon Aubert runs his entire life on lies. An executive at an aviation company, he lies about everything… Simon’s self-serving lies are so abundant that the universe (governed by a handful of Buddhist monks, it seems) decides to right a wrong by teaching him a lesson and making all of the lies reality on the eve of his company’s crucial meeting with a Russian businessman that Simon absolutely needs to impress in order to prevent the closure of the small-town plant where his twin brother Phil works.