Jeff Smith, BONE and the Changing Face of Comics’ tells the story of one of the most successful journeys in independent comics.
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The Angels came hurtling out of Adelaide in the 1970s with the searing guitar sound of the Brewster brothers and Doc Neeson, a frontman who was beyond intense. Their songs remain etched in the DNA of this city: Am I Ever Goin’ to See Your Face Again, Take a Long Line, No Secrets. They worked their way up, developing an unmistakably unique musical style. By 1978 they were a behemoth of the local rock scene and on the path to international success… until they just missed their chance. Yet they still revolutionised the Aussie music scene transforming it from pretty pop to gritty guitar rock featuring ferocious and theatrical live shows. Adelaide director Maddie Parry (Hannah Gadsby: Nanette) has made a surprisingly intimate documentary, with band members’ home videos and never-before-seen photos, exploring the internal tensions that strained relationships to breaking point, even while producing incandescent rock’n’roll. – AFF
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A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life’s misfortunes.
Follows the lives of four queer masculine-presenting BIPOC – all assigned female at birth – as they challenge conceptions of gender identity while navigating life’s hardships and triumphs.
The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights.
A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.
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Upon learning of her diagnosis, Marina begins to look for answers to her questions. Fearing public disclosure of the diagnosis and condemnation of others, Marina writes down all her thoughts in a diary. But once the secret becomes apparent…