Examine one of sports’ biggest steroid scandals via interviews with the head of BALCO lab, athletes suspected of using performance-enhancing drugs and more.

A journal, a voyage through time. He photographs France, she rediscovers the unseen footage he has so carefully kept: his first steps behind the camera, his TV reports from around the world, snatches of their memories and of our history.

Artist Ryan Gander explores Japan’s highly sophisticated visual culture, expressed through images and symbols. He makes unexpected connections between everything from geisha to tattoo art.

The first film to fully expose the humanitarian crisis of North Korea, this stylish, deeply moving documentary is centered around astonishing interviews with survivors of North Korea’s vast and largely hidden prison camps, and interspersed with archival footage of North Korean propoganda films and original art performances.

While vacationing separately in small-town USA, Elwood and Nora, two of Santa’s elves, receive an urgent transmission, initiating a series of events that will change their lives, and the world, forever. With the help of one good little girl, they set out to rid the town out of an economic depression and turn the wayward children back from naughty to nice. As their relationship blossoms, they discover the limits of their magic, the true meaning of Christmas and the joy of helping others.

Junior is a preteen worm who struggles to be accepted by his peers, only to get bullied for being spoiled by his overprotective mother. One day, while in an attempt to impress his friends, he is accidentally brought up to the surface by a shovel, thus starting a journey with great adventures and very high stakes – not only for the little hero, but also to the entire worms society. To get back home and save his own kind, Junior must first learn the powers of self-respect, trust and true friendship.

Film reveals the staggering human and material cost of illegal immigration to the U.S.A. Documentary is a raw depiction of death, torture and hardship suffered by Americans and foreigners due to illegal immigration.

While Hans Jurgen Höss enjoyed a happy childhood in the family villa at Auschwitz, Jewish prisoner Anita Lasker-Wallfisch was trying to survive the notorious concentration camp. At the heart of this film is the historic and inspiring moment – eight decades later – when the two come face-to-face. This is the first time the descendant of a major war criminal meets a survivor in such a private and intimate setting, Anita’s London living room. Together with their children, Kai Höss and Maya Lasker-Wallfisch, the four protagonists explore their very different hereditary burdens.

A young boy whose parents are going through a bitter divorce, is given hope and courage through the powerful stories embellished by his grandfather. The stories give the boy the inner strength and resolve to confront the inevitable challenges which lie ahead.

A provocative and rare glimpse at the most iconic luxury jeweler in the world. From past to present, discovering the behind the scenes creation to those beholden to its charm, Tiffany & Co. is unveiled like never before.

Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

Mother-of-two Judy Malinowski, then 31, was doused in petrol and set on fire by her crazed ex-boyfriend – and one of the first ever to testify from beyond the grave, at the trial for her own murder. A story that lives at the intersection of true crime and #MeToo, THE FIRE THAT TOOK HER goes deep inside a landmark case to ask a timely question: How much must women suffer in order to be believed?