When a man rushing to work hits a woman in a hospital gown with his car, she hijacks the situation and gets into his car, demanding that he take her away from there.
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1920s Germany. Two sisters aged six years, no sooner see their remaining parent buried when they are torn apart. Lotte goes to live with her upper middle class Dutch aunt in Holland, Anna to work as a farm hand on her German uncle’s rural farm. The World War II impacts each of their lives and finally in old age they meet again.
It’s 1847 and Ireland is in the grip of the Great Famine that has ravaged the country for two long years. Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, abandons his post to return home and reunite with his estranged family.
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A grieving lover embarks on a dark journey through memory, a lonely cleaner develops an unhealthy fixation on her boss, and a young couple find themselves caught between a dangerous demonic entity and a fanatically religious mother. See your fears and desires reflected in this female-focused collection of strange and twisted tales.
Nutcracker is a fresh twist on a cautionary tale. Shelly is a 17-year old, African-American girl on the cusp of womanhood. The realities of wanting to be desired, wanting to be validated, and wanting to fit in pull her down to a place of desperation. Her vivid imagination often finds her in awkward situations, but over the course of the story it stretches to the place where she’s willing to put herself in not just a vulnerable, but downright life-threatening situation.
Tell Gordon Hello was spawned off of Morgan Rodner’s love of two things: film and comics. During a writer’s block that all artists come across at some point in their lifetime, Rodner met Paul Louis Harrell while directing another short film. Rodner soon discovered that Harrell had a pastime of playing the Joker on Hollywood Blvd for tips which was the catalyst that put the wheels into motion for Tell Gordon Hello. – Written by Morgan Rodner
When a suspicious death remains unsolved, three boys suspect a reclusive Indigenous man named Bobby (Kelton Pell) and relentlessly harass him until one of the trio breaks the toxic cycle to make amends.
In the Kingdom of France from 1640 is the old with his body ailing Cardinal Richelieu, powerful man under Louis XIII, faced with the machinations of his tipped designated successor, the Marquis de Cinq-Mars.
A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way to cope with a crazy situation. Catch-22 is a parody of a “military mentality” and of a bureaucratic society in general.