One day in the life of Soad, who lives with her mother and bed-ridden father on the outskirts of Cairo.
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Due to a road rage between two buses, an accident occurs which puts the lives of its passengers in jeopardy. But the ones greatly affected by such event are a middle-aged woman named Fiesta (Eugene Domingo), an old and retired family patriarch Tonio (Leo Martinez), and a lad named Caloy (Enchong Dee). These three people are pierced through a single steel bar – a dangerous situation that even their doctors find hard to solve. But even before this unfortunate circumstance, these three have their share of ill-fated lives.
In Dark Places is the gripping story of an innocent man, imprisoned for two decades for a crime he did not commit, and an ex-cop’s heroic battle to win him his freedom.
Belle Starr has returned from time in prison only to face a hail of bullets, along with rescue by Hoppy and the Bar 20 gang.
In an attempt to fix his financial problems, Erik recruits his brother, Atli, to help him import a shipment of cocaine into Iceland. Erik thinks he’s got things all figured out, until the young Polish “mule” they’ve hired is unable to pass the drugs through her system.
A social drama about a young student activist who hides from the authorities by working in a small mining town.
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By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.