While under sedation in a dentist’s office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.
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Raised as a slave, Danny is used to fighting for his survival. In fact, his “master,” Bart, thinks of him as a pet and goes as far as leashing him with a collar so they can make money in fight clubs, where Danny is the main contender. When Bart’s crew is in a car accident, Danny escapes and meets a blind, kindhearted piano tuner who takes him in and uses music to free the fighter’s long-buried heart.
A teacher, in search of inspiration, travels to the most remote school in the world, where he ends up realizing how important his job is and appreciating the value of yak dung.
The film is set during the period of growing influence of the Indian independence movement in the British Raj. It begins with the arrival in India of a British woman, Miss Adela Quested (Judy Davis), who is joining her fiancé, a city magistrate named Ronny Heaslop (Nigel Havers). She and Ronny’s mother, Mrs. Moore (Peggy Ashcroft), befriend an Indian doctor, Aziz H. Ahmed (Victor Banerjee).
The film is based on a true story: the tragic life of China’s first prima donna of the silver screen, Ruan Lingyu. This movie chronicles her rise to fame as a movie actress in Shanghai during the 1930s. Actress Maggie Cheung portrayed Ruan in this movie. Nicknamed the “Chinese Garbo,” Ruan Lingyu began her acting career when she was 16 years old and committed suicide at age 24. The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan’s original films including her final two films The Goddess and New Women.
Quickie-mart employee Melissa and paraplegic Richie are very much in love. Supported only by Melissa’s small hourly wage, they are nevertheless thrilled to learn that Melissa is pregnant. Then their situation deteriorates, and their tenuous financial situation threatens to bring their happy life crashing down.
Forced out of their apartment due to dangerous works on a neighboring building, Emad and Rana move into a new flat in the center of Tehran. An incident linked to the previous tenant will dramatically change the young couple’s life.
A dead father’s recently discovered radio sends his adult son on a twisting journey that slowly unravels a dark, unimaginable secret.
Two victims of traumatized childhoods become lovers and psychopathic serial murderers irresponsibly glorified by the mass media.
A portrait of a homeless park community bonded by crack cocaine addiction. In the park’s drug-fixated shantytown, Cody is a kind of crackhead father figure who helps his friends when they are in trouble or in desperate need of a “blast.” His girlfriend, Alicia, is a romantic who’s losing her soul to the drug, and E-Max is a street hustling pimp who is trying to scoop young Linda into his motley legion of harlots. Hoover Blue, earth mother to all the addicts, attempts to pound some knowledge into the starry-eyed Linda while Cody tries to help young P-Air get his hustle on to record a hip hop track and make it big. But when Cody’s real son, Terry, tracks him down to tell him his wife has passed away, Cody doesn’t even recognize him at first and then can’t help him with postmortem affairs. After five years of crack addiction, Cody wants to get straight and do right by Terry, but the harder he struggles to escape the park, the more it closes in on him.
Anna is stuck: she’s approaching 30 and has just moved back to her rural home-town, and into a shed in her mother’s backyard. She spends her time working a menial job at a local boating center and hides in the depths of her imagination, making movies with her thumbs. Irritated by her childish behavior, Anna’s mother insists that she move out of her shed and on with her life. When a troubled young boy starts hanging around, the two form an unlikely bond. Through their strange yet mutually beneficial friendship, Anna slowly begins to confront her perpetual state of arrested development.