Thomas looks for love in all the wrong places and struggles to find someone who will commit. Will he learn to love himself by opening night? Thomas Banks searches on internet dating sites, inside sleazy nightclubs and seedy gay saunas. He struggles to disclose his disability to potential lovers and experiences many dates that go wrong. As his own personal story unfolds, so does his autobiographical play, The Power of Love, in a life meets art story.
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Max “Adlersson” Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees – Max is a YouTube creator and makes a decent living off of it. Most of Max’s friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
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Historically, the Georgian woman was viewed as a body without a voice, but this group of women were a modern social circle who wrote expressively. Camilla Huey created bodies from which to reanimate their voices. The narrative of …
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