Hoping to leave behind troubled days in the Baltimore city police department, Nate Burns (Eddie Cibrian) journeys to Alaska, where he takes up a quiet life as a small-town sheriff and begins a romance with spirited bush pilot Meg Galligan (LeAnn Rimes). But when Meg’s father turns up dead, Burns finds himself thrust into the limelight of a dangerous murder investigation.
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George Banks is an ordinary, middle-class man whose 21 year-old daughter Annie has decided to marry a man from an upper-class family, but George can’t think of what life would be like without his daughter. He becomes slightly insane, but his wife tries to make him happy for Annie, but when the wedding takes place at their home and a foreign wedding planner takes over the ceremony.
As the three out-of-towners toast the end of their journey, someone at the bar is watching them and setting a deadly trap. Now, as closing time draws near, a night of unspeakable horrors is about to begin. Jesse Archer (Violet Tendencies, Going Down in LA-LA Land) and Ronnie Kroell (Eating Out: Drama Camp, Bravo’s Make Me a Super Model) headline in this bold, uncompromising thriller that plunges into the depths of human depravity. With its unpredictable plotline and raw performances, Into the Lion’s Den is a twisted nightmare that viewers won’t soon forget.
A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.
A Man and a Woman wander through a hostile wilderness in a far-away world. One day, they stumble upon a mysterious set of Structures, which will complicate their lives both for good and ill.
Four scientists craft a machine to reanimate deceased organisms.
The Boo is a Southern-gothic thriller about a bereaved small town sheriff and his recently widowed, estranged, sister-in-law who must acknowledge the external forces they must extinguish to overcome the internal loss of their spouses.
The story concerns the funeral of one of three brothers in a family of gangsters that lived in New York in 1930s. Details of the past of the brothers and their families are shown through a series of flashbacks.
A tech worker with agoraphobia discovers recorded evidence of a violent crime, but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: she must leave her apartment.
What if you had to wake up on the same day over and over? What if that day was the day your family was murdered? Could you stop it?
