Award-winning journalist Mobeen Azhar investigates music’s most troubling story. How did Kanye West go from one of America’s most celebrated artists to a megaphone for hate and division?
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The epic story of how people around the world lived through the first year of the coronavirus pandemic, from lockdowns to funerals to protests. Filming across the globe and using extensive personal video and local footage, FRONTLINE documented how people and countries responded to COVID-19 across cultures, races, faiths and privilege.
Based on the acclaimed memoir by renowned guitarist Andy Summers, Can’t Stand Losing You: Surviving The Police follows Summers’ journey from his early days in the psychedelic ‘60s music scene, when he played with The Animals, to chance encounters with drummer Stewart Copeland and bassist Sting, which led to the formation of a new wave trio, The Police. The band’s phenomenal rise and its highly publicized dissolution at the height of their fame in the early ’80s captured by Summers’ camera. Utilizing rare archival footage, Summers’ photos, and insights from the guitarist’s side of the stage, Can’t Stand Losing You brings together past and present as the band members prepare to reunite for the first time in two decades later for a global reunion tour in 2007.
Alexis Conran puts electric cars to the test in order to find the best ones on the global market.
The Heart of Man is a timeless tale of a father’s relentless pursuit of his son — interwoven with interviews of top thought-leaders on brokenness, identity, and shame.
Missing in Brooks County follows the journey of two families who have come to Brooks County to look for their loved ones who went missing. As they search for answers, they encounter a haunted land where death is a part of everyday life. A gripping documentary mystery, it is also a deeply humane portrait of the law enforcement agents, human rights workers, and activists who come face to face with the life and death consequences of a broken system.
This film traces the path Floyd took after the recording of the Animals album – an era when cracks in the band first started to show – and brings the strange story of the group and the intense relationship between Waters and Gilmour right up to date with the unexpected collaboration of these two maverick musicians at a 2010 charity event. Featuring numerous interviews.
It explores the challenges facing wild horses around the world and the efforts being made to preserve their existence.
10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.
Finding Amelia follows Ric Gillespie and his team as they travel to Nikumaroro, a remote Pacific island 350 miles from Amelia’s last known location. This is where they believe Amelia landed her plane, lived, and died as a castaway.
S Is for Stanley is the story of Emilio D’Alessandro, Stanley Kubrick’s personal driver. A friendship that lasted through 30 years of their lives, helped create four cinema masterpieces, and brought together two apparently opposite people, that found their ideal journey companion far away from their homes.
A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.
League of Exotique Dancers explores vintage Burlesque’s world of fun, frolic, and feathers, yet also turns the spotlight on the poverty, racism, and sexism that were rampant under all that glitter.