Wreaths at the Foot of the Mountain is a 1984 Chinese film about the life of the soldiers in a PLA army company before, during and after the Sino-Vietnamese War.
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Based on the original play, Gun and a Hotel Bible is a provocative film about a man on the verge of a violent act, and his encounter with a personified hotel bible.
For years, Doug Collins has been wading through a routine unsatisfying job and an increasingly miserable relationship. After his girlfriend moves out, Doug pushes himself to live a more fulfilling life starting with a trek to the summit of Mt. Kilimanjaro.
When the daughter of veteran 911 call center operator Pamela, and her estranged husband Jeremy, a Senior Police Officer, is kidnapped and held hostage, they are left desperate, with no choice but to follow the kidnapper’s rules: send messages through dispatch for all police and fire units to scatter to remote locations throughout the city where they are met with chaos. Not knowing who or why, the one thing they do know is if they fail to discreetly collaborate with one another – they will be solely responsible for facilitating the biggest crime in the city’s history. Now they must race against the clock to make the choice of their lives – save the city – or save their daughter.
After her Nazi parents are imprisoned, Lore leads her younger siblings across a war-torn Germany in 1945. Amidst the chaos, she encounters mysterious Jewish refugee Thomas, who shatters her fragile reality with hatred and desire. To live, she must trust someone she was taught to hate and face the darkness within herself.
71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.
After the death of his son, travel writer Macon Leary seems to be sleep walking through life. Macon’s wife is having similar problems. They separate, and Macon meets a strange, outgoing woman who brings him ‘back down to earth’, but his wife soon thinks their marriage is still worth another try.
A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn’t show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something…