The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.
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After a tragic event, a sheltered young woman seeks the comfort of some long-forgotten scary story records from her youth. The specter of losing her family home and a string of crimes in her neighborhood propel her toward a dark obsession with the frightening tales. Eerily, they begin to reveal occult truths and hint at a violent, inescapable fate. Like a disease, the stories begin to infect others who enter her world, creating disturbing encounters that bring her to the threshold of terror.
On his clandestine journey from Cameroon to Europe through the Sahara desert, Léonard meets Hope, a Nigerian girl who’s following the same dream.
After traveling far from home in pursuit of a better future, June comes back to her hometown to try to restore broken bonds with Diego, her first love, and her father. She will try to bring back their teenage years dream of moving to Berlin. However, she will soon realize that years have changed Diego, he is now reclusive and never leaves his house.
Strange things are happening in Druid Hills, Kentucky, known mainly for its voluminous corn output. Victims of monsters in cornfields begin cropping up, and witnesses are saying there are “arge Great White sharks swimming in the corn stalks.
Set in the underworld of debt-collecting and follows the homegrown hustler Peg Dahl, who will do anything to escape Buffalo, NY.
A man travels to another city for his sister’s funeral to try to find out why she killed herself. He discovers that she is actually a vampire and returns from the dead to take revenge on her family.
Samuel Peters (Edward Furlong), once an ordinary man, dabbles in the laws of voodoo to bring his wife back from the grave. He soon encounters the God of malevolence ‘Kalfu’ (Corey Feldman), and makes a pact with him to destroy the underworld and bring chaos to earth. In return, he will become ‘The Zombie King’ and walk the earth for eternity with his late wife. But, as the ever growing horde of zombies begins to completely wipe out a countryside town, the Government set-up a perimeter around the town and employ a shoot-on-sight policy. Trapped within the town, the locals, an unlikely bunch of misfits, must fight for their lives and unite in order to survive. Can our heroes unravel the clues in time and survive or will The Zombie King and his horde of zombies rise on the night of the dark moon?
A searing portrait of war and prejudice, ‘Only the Brave’ takes you on a haunting journey into the hearts and minds of the forgotten heroes of WWII – the Japanese-American 100th/442nd.
French cybernetics genius Victor Frankenstein carries on the work of his notorious ancestor and creates a monster, albeit one with a penchant for philosophy, etiquette and occasional bouts of murderous rage. But when the creature develops a hunger for l’amour, Frankenstein and his understanding fiancé use a cache of freshly murdered strippers to build the creature a beautiful yet dutiful bride. Can the undead find true love in a cold world, or will the French ways of passion unleash some monstrous surprises upon them all?
The story, set in the heady post-war 50s into the early 60s , revolves around a love triangle between Tomoko, long playing the mistress to married older writer Shitto (Kaoru Kobayashi) and the new stud who comes into her life, Ryota Kinoshita (Gou Ayano). Tomoko (Hikari Mitsushima) is sick and tired of her relationship with writer Shingo, who is married and has children. Shingo is a talented writer, but has yet to be recognized by the public. Tomoko then enters into a sexual relationship with younger man Ryota Kinoshita, but Tomoko is not satisfied.