The title says it all. There’s a mix up involving stolen diamonds which Ernest has (naturally) made into a yo-yo and given to his would be girlfriend, Rene. But Rene wants a man of action, and doesn’t think that Ernest fits the bill. After the bad guys come looking for the stolen diamonds and kidnap Rene, all of her fantasies come true as Ernest has to go to Africa to rescue her.
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Cherry Pop! is a crazy night in the life of a small local bar’s drag show. It’s about a newcomer struggling with being the outcast on his first night. And a legend coming to terms with life after her last night in drag. And it’s about a bunch of other back-stabbing queens with their own problems who just plain can’t stand each other. Even the stories of some of the patrons play a part in the chaos. Cherry Pop is a real-time roller coaster ride where you better be strapped up, tucked in, and ready to go!
When Zaza, headliner of a weekly drag show, ‘CHERRY POP’, refuses to come out of her dressing room, all hell breaks loose backstage. A young newcomer, The Cherry, is hiding a huge secret from the girls while getting ready for his debut performance.
This 2001 J-Horror effort from director Naoyuki Tomomatsu is set in a future dystopia where teenaged girls begin dying for no apparent reason — and often in an elated, chronically happy state of mind. One of these girls, Stacy, is back from the dead, however, and she’s ready to gorge herself on human flesh. As more and more teenage-girl zombies begin to feast on the living, the people of Japan brace themselves and try to find a way to end the madness.
A group of academics have spent years shut up in a house working on the definitive encyclopedia. When one of them discovers that his entry on slang is hopelessly outdated, he ventures into the wide world to learn about the evolving language. Here he meets Sugarpuss O’Shea, a nightclub singer, who’s on top of all the slang and, it just so happens, needs a place to stay.
Having lost everything to horse racing, Yûji accidentally gets 10 million yen. But this sum belongs to a Yakuza.
Thanks to an untimely demise via drowning, a young couple end up as poltergeists in their New England farmhouse, where they fail to meet the challenge of scaring away the insufferable new owners, who want to make drastic changes. In desperation, the undead newlyweds turn to an expert frightmeister, but he’s got a diabolical agenda of his own.
Ana and Maxi are a couple in their 30’s who have just found the house of their dreams. Everything is perfect until they realize that it is even better: the house gives them everything they ask for. But, what will happen if they stop doing it?
Tired of her family constantly nagging her to get married, spoiled heiress Yeh Fenfen (Shu Qi) books a stay at a beautiful villa on the Penghu Islands, which are the subject of a classic song on a tape left for her by her mother. When she arrives at her destination, she’s dismayed to find that the gorgeous villa is actually a rundown B&B owned by Wu (Richie Jen). It turns out that Wu’s friends, hoping to drum up some business for the B&B, falsified a few details about the state of the property on the internet. Angered by the deception, Fenfen packs her bags and leaves the next day. But, when she loses all of her luggage on the boat ride, Fenfen has no choice but to head back to the island.
A nebbish high school senior and his best friends embarks on a road trip to attend the greatest music festival of the year in a last-ditch effort to win over the girl of his dreams.
James Cagney stars as a fledgling producer who finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences. Co-starring Joan Blondell and Dick Powell with spectacular Busby Berkeley dance sequences. Inducted into the Library of Congress National Film Registry.
