The danger is palpable as intrepid young filmmaker Nanfu Wang follows maverick activist Ye Haiyan (a.k.a Hooligan Sparrow) and her band of colleagues to Hainan Province in southern China to protest the case of six elementary school girls who were sexually abused by their principal. Marked as enemies of the state, the activists are under constant government surveillance and face interrogation, harassment, and imprisonment. Sparrow, who gained notoriety with her advocacy work for sex workers’ rights, continues to champion girls’ and women’s rights and arms herself with the power and reach of social media.

What is the common thread among the only four U.S. Presidents who have been assassinated – Lincoln, Garfield, McKinley, and Kennedy? They were also the only four presidents to ever to take away money-issuing control from the private banks and turn it over to the U.S. Treasury. Within less than a year of each president doing so, they were murdered. And within months of their vice president successors assuming their offices, they returned the money issuing power back to the private banks. 4 PRESIDENTS provides the first-ever in depth analysis of this very likely – and very frightening – historic conspiracy.

The Story of Plastic is a seething expose uncovering the ugly truth behind the current global plastic pollution crisis. Striking footage shot over three continents illustrates the ongoing catastrophe: fields full of garbage, veritable mountains of trash; rivers and seas clogged with waste; and skies choked with the poisonous runoff from plastic production and recycling processes with no end in sight. Original animations, interviews with experts and activists, and never-before-filmed scenes reveal the disastrous consequences of the flood of plastic smothering ecosystems and poisoning communities around the world – and the global movement rising up in response.

Putting food security to the test in Yukon, the filmmaker bans all store-bought groceries from her house in a year-long adventure in farming, fishing and foraging complicated by three skeptical teenagers, no caffeine and -40° temperatures.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

A documentary of the decline of America. It features a lot a great footage (most exclusive to this film) from race riots to serial killers and much-much more.

16-year-old Yuguo, who has a passion for Eastern European romantic poetry, makes a pilgrimage from his home in China to the foothills of Romania’s Carpathian Mountains.

In this documentary, law enforcement faces scrutiny as Americans demand justice after police violence claims multiple Black lives in Cleveland.

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Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.

Filmmakers of “Pandas: The Journey Home” were granted unprecedented access to the Wolong Panda Center in China. Meet all of the pandas at the center as they get ready for their new lives in various parts of the world, and learn about their fascinating habits and personalities.

Our modern civilization is likely to be confronted with the biggest paradigm shift in the perception of reality ever, and through our productions we wish to bring insight from the forefront of this development.