Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

Toddrick Frank, a hustler, living his life until he runs into his ex-girlfriend, Quanita’s baby daddy, Tyrone. Afraid for his life, Frank sets out to run out of town until he receives a call from Sage Lee to kill her husband for half a million.

Nick Pearson is a life-long bachelor who is finally settling down. On the brink of his wedding he is surprised to find he has a 13 year old son who has come to find his him through the help of a psychic. The problem is Nick can’t stand kids and would happily send the boy back to live with his biological mother, except that no one has any clue who that might be. Having nowhere to turn Nick must hit the road with the boy and the neurotic, inept psychic to track down dozens of his disgraced ex-flings to whom he must ask the awkward question – with very mixed results.

Set in Sarajevo in May 2021, the city’s famous Old Town tries to recover after a difficult pandemic year. When a visitor from Zagreb comes looking for the best kebabs in town, a harmless gesture causes the disintegration of the business and private lives of several people.

A blooper reel for The X Files: Fight the Future.

A lifetime ago in a sleepy Michigan lake town, Hannah Howard (Melissa Anschutz) experienced something otherworldly. For years the event was pushed to the corners of her mind, seemingly forgotten until a trip home starts unlocking her past memories. Can her advice-giving, hippy-mother (Victoria Jackson) or the small town preacher (Don Most) or her newly discovered, bigfoot-hunting brother (Josh ‘Ponceman’ Perry) help her make sense of it all? To add to the growing mystery, the strange events have started again upon Hannah’s return. Strange lights appearing in the sky over a place locals call the Devil’s Crossroads.

Models Carl and Yaya are invited for a luxury cruise with a rogues’ gallery of super-rich passengers. At first, all appears Instagrammable, but the cruise ends catastrophically and the group find themselves marooned on a desert island.

On Christmas Eve, Pastor Benjamin and his motley crew of congregants find themselves locked in the local mall just as a fearsome team of armed thieves breaks in to rob the place.

The year is 1988. Abby and Gretchen have been best friends since fourth grade. After an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act…different, which leads Abby to suspect her best friend may be possessed by a demon. With help from some unlikely allies, Abby embarks on a quest to save Gretchen. But is their friendship powerful enough to beat the devil?

Frida wants a baby. But although she forces her boyfriend to follow a strict fertilization regimen, she’s not getting pregnant. Just when she’s about to resort to artificial means, her boyfriend dumps her. Suddenly, she’s missing the most important pregnancy ingredient – the father. But Frida will stop at nothing to get her baby.

On a birthday trip to Mexico, 12-year-old Ronnie Anne accidentally frees a demigod trapped in a mountain and needs her family’s help to set things right.

The Dung Beetle is late, the Parasite is asleep and Mrs Larva is more interested in her knitting than the director’s instructions. It’s clear: this amateur theatre company has a long way to go before they can perform their version of The Insect Play, a famous satirical work from 1922 by the brothers Karel and Josef Čapek which features insects with decidedly human traits: greed, egocentrism, jealousy.