A stagnant and gloomy village in the 1980s. Reyhan, Nurhan, and Havva, three sisters were sent to town as ‘besleme’ (foster child and maid). Since they fail their foster parents for different reasons, they are sent back to their father’s house in their poor village. Deprived of their dreams of a better life, they try to hold on to each other.

A photographer and his wife travel across Armenia photographing churches for a calendar project. Travelling with them is a local man acting as their driver and guide. As the project nears completion, the distance between husband and wife grows.

When a man finds a family of strangers in his house who claim to have bought the place, he agrees to let them stay until they can get to the bottom of the mix-up. They never leave.

A London man who loses his memory when he’s struck by a falling object develops a way to reconstruct his past.

Five thought-provoking shorts imagine what Hong Kong will be like ten years from now. In Extras, two genial low-level gangsters are hired to stage an attack, but they’re mere sacrificial lambs in a political conspiracy. Rebels strive to preserve destroyed homes and objects as specimens in the mesmerizing Season of the End. In Dialect, a taxi driver struggles to adjust after Putonghua displaces Cantonese as Hong Kong’s only official language. Following the death of a leading independence activist, an act of self-immolation outside the British consulate triggers questions and protests in the searing yet moving Self-Immolator. In Local Egg, a grocery shop owner worries about his son’s youth guard activities and where to buy eggs after Hong Kong’s last chicken farm closes down.

When affluent executive, Wayne Hayes is kidnapped by a disgruntled employee and held for ransom in a forest, Wayne’s wife is forced to reckon with the FBI agents as they negotiate with the kidnapper.

Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Trek follows a young Mormon teenager named Tom and his friends on their handcart journey. Along the way they try to smuggle in unsanctioned food, battle sibling rivalry, encounter a “special ops” Young Men’s leader, match wits with a twinkie-loving skunk, and ponder doctrinal brain teasers like, “Do general Authorities go to PG-13 movies?” But, when they encounter unexpected trouble, their faith is tested much like their pioneer ancestors.

Algeria, 1994. S. and Lotfi, two friends from childhood, travel through the desert looking for Abou Leila, a dangerous terrorist on the run. Their quest seems absurd, given that the Sahara has not been affected by the wave of attacks. Lofti has only one priority : to keep S. as far from the capital as possible, knowing his friend is too fragile to face more bloodshed. But the closest they get into the desert, the more they will be confronted with their own violence.

Aged, embittered widower, Fred learns to enjoy life thanks to his elderly yet vibrant neighbor, Elsa. Upon learning Elsa is terminally ill, Fred takes her to the Fontana di Trevi in Rome in order to reenact her favorite scene from ‘La Dolce Vita’.

A young couple bound by a seemingly ideal love, begins to unravel as unexpected opportunities spin them down a volatile and violent path and threaten the future they had always imagined.