Russell Crowe stars as Detective Cristofuoro, a semi-retired police officer who is trying to unravel the past to discover whether a violent teenager, Eric Poole (Jon Foster), was responsible for the murder of his family. Sophie Traub co-stars as Lori, the teenage runaway who falls under Eric’s spell. Based on the novel by Robert Cormier.

They live in an old house on the fringe of Taipei City: Rat and his elder gay brother Shanghe. Two brothers look for jobs to survive while search for themselves and long for a foothold in life. The younger works at market where he meets a mute woman who gets up to all sorts of craziness. The elder is attracted to a nightclub dancer and finds himself drawn into shifty business.

She is almost deaf and she lip-reads. He is an ex-convict. She wants to help him. He thinks no one can help except himself.

When a girl’s body is found on a beach in Poland’s Tricity, a prosecutor teams up with the victim’s mother on an impassioned quest for the truth.

Hong Kong nihilism. December 22, a street quarrel leads to the death of a gang leader’s son. Next day, he seeks revenge on his brother, a rival boss. He calls on Liu, a fixer, to import a hit man from the mainland. Lai Fu, a tough and youthful hick, arrives with a day pass. The cops, led by the morose Milo, hear about the killer; they open a full-scale Christmas Eve operation to find the warring brothers and Lai Fu. Lai Fu rescues a hooker, Dan Dan, from a sadist and asks her to help him find his way around Mongkok. By nightfall, Liu has double crossed Lai Fu, the brothers are hiding, the cops are everywhere, and Lai Fu and Dan Dan are on the run. Peace on earth, good will to all?

While staying at a picturesque village, a teen encounters the underground world of art forgery.

Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.

A hapless hunchback who only yearns for love, finds himself in the middle of a murderous feud between the Pope and the King of France when each orders the hunchback to kill the other.

A mother is determined that her daughter will be a movie star, and will do anything–and have her daughter do anything–to make it happen.

Late sixteenth century. A Tameme Indian man and a noble Spanish woman flee through the forests of the New World in search of freedom. Their frantic journey softens the tension between them and dissolves their longstanding differences and creates intimate bonds that threaten their very survival.

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The story is freely inspired by the life and work of Jan Saudek, who is probably the most well-known Czech photographer internationally and has indisputably been involved in the development of international photography. He has exhibited and sold his work in the largest galleries and art houses, he has earned international recognition and awards, he enjoys great popularity and interest – he is a true phenomenon.