A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland’s unforgiving Aran Islands.
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When a seemingly fun party goes horribly awry, a group of teenagers must decide their fates.
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Aiming to be an in-depth study of hooliganism (both in act and in what it is to be one), director Donal MacIntyre, a former undercover journalist who was once under assignment as a hooligan himself, asks why hooliganism came to be and also why, of all sports, it’s so closely associated with football (http://moviefarm.co.uk).
The first documentary about France’s post punk and cold wave scene in the late 1970s and early 1980s. During an art show at agnès b. gallery in 2008, Jean-François Sanz has gathered some exceptional material that brings to light, through archival footage and about thirty interviews to the main players, the pop culture heritage of that moment.
Convinced his wife is cheating on him with his best friend, a husband goes off the deep end into a conspiracy only to find himself unprepared for what comes next.
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When a wealthy businessman learns of his daughter’s sudden engagement to a missionary, he embarks on a quest to keep her closer to home, but when his efforts go awry he must reconsider what it means to be a strong father.
In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio’s childhood exploits, the memories capture the mood and nostalgia of the ’80s era.
Steven Keats plays a Russian emigre who prides himself on the way he’s molded himself into a real Yankee in the USA, though the world he lives in, New York’s Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife (Carol Kane) finally arrives in the New World, however, she has a lot of assimilating to do. This causes the tension which drives the movie along, though it maintains a fairly light atmosphere most of the time.
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