Follows the story of Viktor Purice – manager, former projectionist and lifetime cinephile and his two loyal employees, Cornelia & Lorena, in their everyday battle to preserve Dacia Panoramic Cinema in Piatra Neamt – one of the last remaining cinemas in Romania today. Having lived through “the golden age” of cinema, Viktor dreams of bringing back the good old glory days, yet struggles to keep up with the new harsh reality. In a theater that lacks heating and is slowly falling apart, with no support from the State who owns the place, it’s almost a Don Quixote fight.
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I AIN’T SCARED OF YOU is a documentary tribute to Bernie Mac (1957-2008). From his stand-up in underground Chicago comedy clubs to the Big Screen in Hollywood, Bernie Mac’s sharp tongue and heart of gold resonated with millions of fans throughout his career.This film revisits much of his work through exclusive recordings of early stand-up, featured scenes from his film and TV appearances, and interviews with his co-stars, including Samuel L. Jackson, Cameron Diaz, Chris Rock, and many more. Testimonials from friends and family offer colorful anecdotes about Bernie Mac, from his practical jokes to his strong appreciation for manicures, and paint a vivid picture of who he was as an actor-comedian, husband, father, and friend.
A few weeks before the opening of the Eichmann trial, transcripts of recorded conversations that Adolf Eichmann had with a Dutch Nazi journalist, Willem Sassen, were mysteriously handed over to prosecutor Gideon Hausner. The conversations were held a few years before Eichmann was brought to Israel by the Mossad. During the trial, Eichmann tried to convince that he was only a bureaucrat who carried out orders, but in the transcripts, Eichmann was found boasting and proud of his significant role in planning and executing the Final Solution. For the first time, we will confront Eichmann with himself in full color, revealing the hidden factors and motives that succeeded in hiding these recordings.
A legendary dance teacher transforms the lives of the kids she teaches, inspiring them to overcome obstacles, perfect their craft, and compete for a chance to claim the title of Top Teen dance group in North America.
A journey into art, madness and the unconscious. An exploration of visionary artists and the creative impulse, from the Flemish Masters of the Renaissance to the avant-garde movement of Surrealism and the unsung geniuses of Art Brut and Outsider Art.
The definitive photographic record of the 1984 Los Angeles Olympics, told “from the inside” through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.
Released in 1995, Paul Verhoeven’s SHOWGIRLS was met by critics and audiences with near universal derision. YOU DON’T NOMI traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.
For years, Miles Lagoze served in Afghanistan as a Combat Camera, shooting footage and editing videos for Marine Corps recruiting purposes. In this devastating film, Lagoze assembles his own footage and that of his fellow combat cameramen into a never-before-seen look at the daily life of Marines from the ultimate insider’s point of view. More than a mere compilation of violence, the edit ingeniously repurposes the original footage to reveal the intensity and paradoxes of war in an age of ubiquitous cameras, when all soldiers can record themselves with helmet-cams and cellphones. Combat Obscura revels in the chasm separating civilian from military life and questions the psychological toll war exacts on all that it touches
A personal exploration into the life of America’s controversial former CIA Director told through the eyes of his wife and filmmaker son, Carl. Through extraordinary events in twentieth century history, this consummate soldier/spy stood at the center of the Agency’s most clandestine activities and operations. The film reveals the ‘cover life’ of this CIA operative, who followed orders and took on the dirtiest assignments until the Nixon Administration ordered him to ‘stonewall’ Congress about the CIA’s past abuses, but he refused. This film reveals why, for the first time, he could not obey.
In this offbeat whodunit, Bernie Langille sets out to uncover the truth around the strange circumstances of his grandfather (and namesake) Bernie Langille’s death. Fifty years after the fact and with the help of meticulous miniatures, he reconstructs the bizarre events of one fateful winter night in 1968. What exactly precipitated the shocking discovery of Grandpa Bernie, dead in his own bed? The labyrinthian task of answering this question leads Bernie to interview a range of characters, including forensic experts and family members. Along the way, Bernie entertains increasingly absurd scenarios—including the possible involvement of Agent Orange. His obsessive musings, just like the constantly changing miniature sets, never get old. Ultimately the film provides a quirky yet thoughtful look at family ties, the fault lines of memory and intergenerational trauma.
A story of soul searching, science, nature and creativity, InnSæi takes us on a global journey to uncover the art of connecting within in today’s world of distraction and stress.
In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.
