A young reporter (Lucy Liu) wakes up and realises that she is not alive anymore. She goes on a personal vendetta for a group a cultists that are responsible for her death.

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At Kinetech Labs, an inventor named Allan Topher designs a robot for search and rescue, but when he finds out that the robot will be used for military purposes, he programs the robot to flee. The robot escapes but is damaged in the process. It is discovered by 12-year-old Henry Keller, who fixes it and names it Cody. The robot does not remember its past, and Henry and Cody develop a friendship. Eventually, Kinetech and the inventor find Cody and bring the robot back to the laboratories. The inventor feels guilty for taking Cody away, so he returns the robot to Henry. The inventor meets Henry’s mother, Joanna, in the process and falls in love. Kinetech wants the robot back, so it kidnaps the inventor and Joanna. Henry and Cody embark to save them and to bring down Kinetech.

Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.

When an absence of communication reveals a love triangle, much more than lies come to light.

Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis’ sister comes to stay, we see both sides of Henry: “the guy next door” and the serial killer.

As children, Kathy, Ruth, and Tommy spend their childhood at an idyllic and secluded English boarding school. As they grow into adults, they must come to terms with the complexity and strength of their love for one another while also preparing for the haunting reality awaiting them.

Carrie White is a lonely and painfully shy teenage girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both classmates at her school, and her own religious, but abusive, mother.

In hellish Casablanca, a car-crash sets ablaze a burning, passionate love story between has-been rocker Larsen and the streetwise amazon Rajae. An unspoken trauma is their common history; rock n’ roll their mutual saviour. Larsen’s snakeskin-covered guitar and Rajae’s liquid gold voice could be heaven, if only everything from his drug-induced visions to her music-buff pimp didn’t get in the way. The only hope for their blooming romance is to skip this ferocious town. Is there a way out of this crazy Moroccan underworld with its menagerie of sadistic cops, venomous snakes, metal concerts and shotgun-wielding modern-day Calamity Janes? For these punk Romeo and Juliet, maybe the answer lies in a song – the one they’ve been writing and dreaming together : Zanka Contact

Jack Ryan, as a young covert CIA analyst, uncovers a Russian plot to crash the U.S. economy with a terrorist attack.

Arrested on suspicion of a hit and run, a succesful architect is put in prison awaiting trial or release. Whilst there he witnesses the grim reality of life behind bars: corrupt staff, corrupt inmates, an inhuman judicial system and the power of the Mafia.

Three years after the events of the first film, the four brothers are trying in various ways to preserve the covenant they made to themselves to stay away from a life of theft and crime, but one event in their lives changes all that, and introduces them to new worlds for them, and puts them in very dangerous confrontations with A number of professional criminals.