Working in the morgue, a hardworking forensics expert and his assistant are suddenly accosted by masked intruders who demand access to a body involved in a recent crime.

Connected, by Luke Gilford, is a portrait of a woman grappling with aging, self-perception, and transformation in a technologically optimized world. Jackie (Pamela Anderson) is a burnt-out AuraCycle instructor in the midst of a midlife crisis. She’s obsessed with self-improvement podcasts (voiced by Jane Fonda), and she is soon drawn to an advanced yet enigmatic wellness spa that promises to enhance her mind, body and soul. Guided by her effortless and nubile mentor, Luna (Dree Hemingway), Jackie will give up anything to feel “connected” — to herself, to the future, and to a precarious sense of perfection.

Blind swordsman Zatoichi, jailed briefly, is implored by another prisoner to aid him in proving his innocence of a crime for which he is sentenced to death. Zatoichi is reluctant to get involved, because he knows how often such involvement has led to trouble in the past. But events conspire to thrust him repeatedly into involvement, and gradually he comes to believe in the man’s innocence and determines to free him.

A mysterious gunfighter named Django is employed by a local crooked political boss as a hangman to execute innocent locals framed by the boss, who wants their land. What the boss doesn’t know is that Django isn’t hanging the men at all, just making it look like he is, and using the men he saves from the gallows to build up his own “gang” in order to take revenge on the boss, who, with Django’s former best friend, caused the death of his wife years before.

When a father passes on the traditional family sword to one of his two adopted sons, the other–in a fit of jealous rage–joins a yakuza drug smuggling mob. When the other son decides to find him and set things straight, things don’t seem to go as smoothly as he planned, and a misunderstanding leads the stepbrothers into a Turkish arena to battle swordsmen from around the world.

Lee Chung is a Prince of Joseon, but he has been taken hostage to the Qing Dynasty. He enjoys boozing, womanizing and gambling. He is also an excellent swordsman. His older brother Lee Young will succeed to the throne and brings Lee Chung to Joseon. He returns after more than 10 years. Soon, Lee Chung faces monsters that run rampant in the night.

In the near future, a virus has infected everyone on the planet, and Absolon is a drug that everyone must take to stay alive. One corporation controls the drug. Murchison is the leader of this firm. A scientist who was researching the virus is found murdered, and Norman Scott is the policeman who investigates the crime.

Three aging and failed comedians, Georges Cox, Victor Vialat and Eddie Carpentier, hit the road again with a lousy production of a lousy play, of course under the worst possible conditions.

Two bruised hearts, 8-year-old Naomi and Kabir find solace in each other. They are both lonely and nursing psychological scars and mysterious tragedy. Naomi’s mother is a drug addict-peddler and Kabir loses the only person he loves. The talkative kid-next-door becomes the reclusive pawn shop owner’s only reason to live. When her life is endangered, his soul is awakened once again.

You know the feeling. It feels like time slows down as your eyes meet a stranger’s. Then you walk pass each other, neither of you looking back. That’s what happened with Pelin and Engin. Lo and behold, they open their eyes in the same bed. And you may want to brace yourself for this one, as a two-year married couple! It must be a dream. No, a nightmare. But now, to wake up they must fall in love.

Batman has stopped the reign of terror that The Mutants had cast upon his city. Now an old foe wants a reunion and the government wants The Man of Steel to put a stop to Batman.

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