A series of interconnected stories, set against the backdrop of the early days of the pandemic. Here, individual souls realize the world is changing, sometimes yielding heartbreak, sometimes yielding happiness, always leading to a deeper understanding of their fellow human beings. From finding love, to connecting through music, heroes emerge, each contributing in small ways to a very new world around them, however dangerous.
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An unconventional love story between an antisocial teenager, a Scotsman and a five-year-old girl.
Rebellious footballer Johnny, falls for cheerleader Tracy. They come from opposite backgrounds; she’s from a comfortable well off family, he is poor and broken. Tracy already has a boyfriend but he acts like a jerk, so Johnny has to win Tracy’s heart – something she seems reluctant to let him do.
1402. Queen Margrete I has gathered the Nordic kingdoms in a union, ruled through her adopted son, Erik. But a conspiracy is in the making and Margrete finds herself in an impossible dilemma that could shatter her life’s work: The Kalmar Union.
Malayalam comedy thriller film written and directed by Lijo Jose Pellissery. The film is jointly produced by Prithviraj, Santhosh Sivan, Arya and Shaji Nadesan under August Cinema and Lijo Jose Pellissery under Amen Movie Monastery. According to the director, the film is a light-hearted comedy entertainer that sets in the backdrop of Goa.
Lily is haunted by memories while her mother, Ruth, loses her own.
A young woman moves to Paris and has a brush with disaster. Grown-up at last, an accomplished woman thought she was safe from her own past. Gradually, these characters come together to form a single heroine.
“Dog Years” tells the story of Stella, a clumsy, cynical, imaginative and tormented teenage girl. “After a life-changing car accident involving a dog, she convinces herself she must count her age in dog years: one year of her life counts for seven, and now that she’s turning sixteen, she is a centennial. For this reason, Stella thinks she has not much time left to live and pens a bucket list of all the things she would like to achieve before she dies.
The story follows a student navigating high school life while living with paranoid schizophrenia and battling wild hallucinations. An experimental drug trial promises to help hide his illness from his peers and, most importantly, from the girl of his dreams.
Isabelle, HR of a large cruise company, made the mistake of choosing her boss as a lover. Before embarking on the maiden voyage of the new flagship of the fleet, though, he decided to disembark from their relationship! Some women take their revenge by poison, firearm, or slander. Isabelle chooses Remy a flamboyant, unemployed ne’er-do-well who flunked out in life on land, but after all is said and done, might have better luck at sea… She recruits him as leader of her plot and on this Palace of the Seas, Remy will first prove to be the worst nightmare of the CEO and Richard, the Cruise Director…then, little by little, he will change his life and that of all those who cross his path…
A doe-eyed knife-wielding killer is on the loose in a small town slicing and dicing men of questionable intent left and right. As her brutality leaves a town littered with corpses, her unquenchable blood-lust is lost on her young lover who is willing to pursue her regardless of the obvious warning signs of psychosis. Will he meet his end at the end of her blade? She decides who lives or dies!
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.