A Veterans Day celebration with the United States Army Field Band, hosted by Jon Stewart. Honoring servicemembers past and present alongside a lineup of musical guests, including Mickey Guyton, Amanda Shires, and Mandy Gonzalez.
You May Also Like
Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.
After the highs of winning the world championships, the Bellas find themselves split apart and discovering there aren’t job prospects for making music with your mouth. But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time.
Jessica Olsen goes to Los Angeles with nothing more in mind that visiting her grandparents while her sister tries to meet Christopher Wilde. One night she meets Christopher Wilde. They go an an adventure around Los Angeles and start to like each other. When Jessica returns home, Christopher, on national TV, says he doesn’t know her, and never met her.
Debussy’s masterpiece, for the first time conducted by the Paris Opera’s music director Philippe Jordan, in the fairy staging by Robert Wilson. When Prince Golaud, grandson of King of Allemonde, meets the beautiful Mélisande, he knows nothing about her. Though, he marries her. A few months later, Golaud announces his wedding to his brother Pelléas, who seems to be falling in love with the woman.
A film about how a much-derided music actually changed the world. Between 1969 and 1979 disco was born through gay liberation, female desire in the age of feminism and led to the birth of modern club culture before taking the world by storm. This in turn led to the ‘Disco Sucks’ movement and the inevitable backlash. With contributions from Nile Rodgers, Robin Gibb, Kathy Sledge and Ian Schrager.
A modern day version of The Prince And The Pauper where one man from a poor background ends up taking over another mans life from the entirely opposite end of the spectrum. Jamie Poulton – lead singer of tribute act ‘Dive’ – gets the opportunity to replace the iconic Donny Martin from the boy band group D5 with ever gripping twists and turns. This British film asks the question could one man live in another mans shoes and actually get away with it!?
Jake Blues is just out of jail, and teams up with his brother, Elwood on a ‘mission from God’ to raise funds for the orphanage in which they grew up. The only thing they can do is do what they do best – play music – so they get their old band together and they’re on their way, while getting in a bit of trouble here and there.
It’s five years later and Tony Manero’s Saturday Night Fever is still burning. Now he’s strutting toward his biggest challenger yet – making it as a dancer on the Broadway stage.
Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys’ club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.
Journey through the music videos and short films from Jimmy Cauty and Bill Drummond in their various guises as The JAMs, The KLF and The Timelords, one of the most successful and subversively creative electronic bands of the early 90s.
Hoffmann is a lovelorn young man in Nuremberg who is watching his latest love, Stella, dance in the ballet. In the interval he goes to the tavern where he tells his friends the tales of the three major loves of his life. Each story forms a separate act of this filmic version of the Offenbach opera.