Steve Merrick is an out of work writer who stays home and plays house husband while his wife goes to work for her former fiancé and Merrick’s publisher who is still carrying a torch for her.
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A happy-go-lucky Mumbai suburban housewife Sulochana, fondly known as Sulu, lands the role of a night RJ, resulting in drastic changes to her routine life.
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The lives of a young couple intertwine with a much older man as he reflects back on a lost love while he’s trapped in an automobile crash.
Filmed at the Rocket Mortgage Fieldhouse in Cleveland, Ohio, the 2021 Rock & Roll Hall of Fame Induction Ceremony honors inductees: Tina Turner, Carole King, The Go-Go’s, JAY-Z, Foo Fighters, and Todd Rundgren; along with Kraftwerk, Charley Patton and Gil Scott-Heron; LL Cool J, Billy Preston and Randy Rhoads; Clarence Avant for the Ahmet Ertegun Award. The special music event also features a host of all-star presenters, performers, and special guests, including Angela Bassett, Christina Aguilera, Mickey Guyton, H.E.R., Keith Urban, Taylor Swift, Jennifer Hudson, Drew Barrymore, Paul McCartney, Lionel Richie, and many others.
With much of America lying in ruins, the rest of the world braces for a global sharknado, Fin and his family must travel around the world to stop them.
With her personal and professional life in shambles, Elise ends up having to take a job as a counselor at her old summer camp. There, she reunites with two estranged friends who attended camp and never left. When the future of the camp is put in jeopardy, the three friends must band together to save it, changing the course of their lives forever.
When a small-town con artist joins the local mafia with his manipulative brother, his obsession with balancing his karma gets hilariously brutal.
Carlo is a successful singer, married to Livia; the two also have a son, Maurizio. Carlo decides to accept a tour in the USA but, shortly before departure, together with his agent Puglisi has a sentimental adventure with two women. Livia, having discovered what had happened, leaves home with Maurizio.
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
