A timid orphaned Samira lives alone with her half brother Jason in the house left to them by their Dad in the middle of an underdeveloped sparsely populated estate. After her bother travels for a business trip, her friends pull he…
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In the middle of Sherman’s March, in eastern Georgia, Confederate infantry, cavalry, and artillery make a bold stand against the overwhelming numbers of the Union army as it tears across Georgia.
Kat and Borja appear to be a perfect couple, but as in every marriage they keep secrets, lies and infidelities that will come to light the night an unexpected visitor arrives.
Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín.
The Etruscan Smile stars acclaimed British actor Brian Cox as Rory MacNeil, a rugged old Scotsman who reluctantly leaves his beloved isolated Hebridean island and travels to San Francisco to seek medical treatment. Moving in with his estranged son, Rory sees his life transformed through a newly found bond with his baby grandson.
Dean and Cindy live a quiet life in a modest neighborhood. They appear to have the world at their feet at the outset of the relationship. However, his lack of ambition and her retreat into self-absorption cause potentially irreversible cracks in their marriage.
It is 1974, and in the Cold War paranoia of East and West Germany, it can be dangerous to know too much. But time is running out for Sophie Zimmermann. She is being hunted and the only way to survive is to find out the identity of The Man On The Other Side! In the style of classic 70s spy thrillers like Tinker Tailor Soldier Spy, The Ipcress File and Day Of The Jackal, The Man On The Other Side transports you back to a world of double crosses, of dark deeds in grey Eastern European cities and of danger lurking behind every kiss.
Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.
On the request of his mother Gitte, Marko, who has been living in Berlin for years, drives off to the countryside to visit his parents. His hopes of spending a quiet and relaxing time with his family fall short when Gitte surprises everyone by revealing that she has recovered after a long mental illness. Marko is the only one who respects her wish from now on to be treated as a full member of this family and, as a result, ends up tipping more than just the delicate balance of his parent’s seemingly harmonious relationship.