From the director of Koyaanisqatsi, an astonishing film that documents the drama of how we both live and witness what we experience. Shot in rich black and white Godfrey Reggio’s latest film finds the full spectrum of emotion in human faces, gorgeous landscapes and even the behaviour of an especially expressive gorilla.

In the summer of 1867, a reserved young woman named Birdie accidentally murders her abusive husband and races off into the Wild West in search of the mythical No Man’s Land, a town run and governed entirely by women.

Originally intended as an advertising short, this film follows The Elizabethan, a non-stop British Railways service from London to Edinburgh along the East Coast Main Line. A nostalgic record of the halcyon years of steam on British Railways and the ex-LNER Class A4.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

To be called the Fittest on Earth, one would have to be capable of conquering a number of both physical and mental challenges. In the year of 2020, those challenges were plentiful. “Resurgence” captures all the drama as the organization of CrossFit pivots to pull off an in-person event amidst a world pandemic. Developing a new competition format to narrow a large field of athletes to only 5 men and 5 women. These athletes descend on a small ranch in California to take on whatever challenges are necessary to be crowned the Fittest on Earth.

After a terrible accident deep inside an underwater cave, the survivors are forced to risk their own lives to bring the bodies of their friends home.

Whether they’re performing at an animal rescue center benefit, a church fundraiser, or a shrimp parade, the Calendar Girls give it all they’ve got. And they have a lot to give — impressive makeup; handmade costumes; elaborate dance routines; and, most notably, their unparalleled enthusiasm and sparkling personalities. They are a group of hardworking senior volunteer dancers in Florida, determined to prove that age is just a number.

Legendary oceanographer Sylvia Earle and a cast of pioneering marine scientists tell the story of the incredible work being undertaken across the planet to protect the fragile ecosystem of our oceans.

A portrait of a punk band and their role in the vibrant and eclectic underground music scene from which they were born. The idiosyncratic personalities of these three musicians demonstrates that, like all great artistic or political collectives, individuals with conflicting and confounding ideologies can be drawn together around a common cause. Championing the music, community, and politics of their beloved city of Memphis, TN, Negro Terror are far more than just another hardcore punk band with a provocative name.

Hasan Minhaj delivers an unapologetic stand-up set about midlife identity struggles, race relations, political divides — and that fact-checking scandal.

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