Cathal McNaughtonandapos;s breathtaking 25-year body of work and the importance of photojournalism in a world saturated by social media and fake news.
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Journey to the edge of Brooklyn and of street performance itself in this sparkling portrait of the freeing power of art. Reem is the savvy promoter, Flizzo the undefeated local legend, Jay Donn the innovator with the talent to carry him far away from home. Uniting them is a competitive dance form of dramatic contortions, simulated violence, flowing footsteps and the occasional humorous touch. Welcome to the world of Flex.
Meet the dirtiest cop in NYC history. Michael Dowd stole money and dealt drugs while patrolling the streets of ’80s Brooklyn.
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Indianapolis has one of the lowest high school graduation rates in the country. Night School follows three adult students living in the city’s more impoverished neighborhoods as they attempt to earn their diplomas while juggling other difficult responsibilities and realities. Through their stories, the filmmakers explore many issues that low-income Americans deal with, including unjust minimum wage and working conditions, arbitrary legal hindrances, and race and gender inequality.
Canine welfare is not high on the mind of the tourism industry once the Iditarod has run its course.
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A feature-length documentary about one of the most successful British bands in rock music.
An Accidental Life is a deeply personal and vulnerable portrait of Quinn Brett, an ambitious, record-setting climber who strives to make meaning out of tragedy in the years following a near-fatal rock climbing accident on El Capitan that left her paralyzed.
The life and times of Stiv Bators, legendary frontman of the Dead Boys and The Lords of The New Church.
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Pastor Douglas Wilson was invited to Indiana University to deliver a series of lectures on traditional marriage and family. Wilson was warned about possible protests and potential violence over his “dissenting” opinion but stood behind the lectern anyway. The Free Speech Apocalypse documents the intensity that ensued on April 13, 2012, when a group of Midwest college students decided that Wilson’s traditional views are now to be considered “hate speech” and that hurling insults, profanity, and disrupting his attempt to rationally present his views was acceptable. Darren Doane, director of the ground-breaking documentary, Collision, and box-office smash-hit Unstoppable, returns with his most bold, uncensored, and provocative film to date.