When overworked lawyer Diana’s (Margo Harshman) uncle, Hugh, passes away she’s called back to his vineyard to settle his estate. Hugh has left half of his Golden Range Winery & Vineyard to Diana and half to Seth (Steve Talley), his right hand man and Diana’s ex-boyfriend. Hugh’s final request is that the two work the next harvest together, set to begin in a few weeks. Neither is happy at the arrangement but they begrudgingly agree. Furthermore, neighboring competitor Grant Garritson (Jack Wagner) threatens to drive a wedge into Diana and Seth’s already shaky relationship. They have a short window to figure it all out so that they both get what they ultimately want.

Devayani wishes to become a doctor, but ends up becoming a taxi driver when the responsibilities fell on her shoulders after the death of her father. When a woman starts driving a car the people around called she taxi. Joe Joseph is an affluent person who leads a luxurious life. Joe with his two friends joins Devayani and three other ladies – Meera Mamen, Sradha, and Roopa Pillai who are also on a trip of ten days. This trip changed Devayani’s life forever.

Alice is a sailor. While her partner Félix waits for her on land, she sets off as second mechanic on the Fidelio, an old freighter. On board, she discovers not only that her predecessor has just died, but also that the skipper is none other than the first great love of her life. Alice finds a notebook in her cabin, apparently that of the former mechanic, and on reading its contents – accounts of mechanical problems, sexual conquests and lovelorn emotions – finds, oddly, that they mirror her own concerns. As they make stops at various ports, dealing with life aboard alongside an all-male crew and the swell and pitch of her romantic feelings, the young woman tries to stay on course.

The Department of Emotional Integrity (DEI) documents all relationship activity. A ‘relationship score’ is given to keep people accountable for their choices. The score is public for all to see, and affects various aspects of daily life. Two couples, teenagers and early 30s, face different but intersecting challenges in their relationships within the rules of the DEI.

A beautiful sexy DJ is forced to run when she stumbles on a stash of cash. Can she keep the money, conquer her demons, AND get the girl?

In this rom-com challenging the concept of soulmates, parallel storylines portray four single friends as they pair up in different couple combinations.

For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

A love story of Joy and Ethan, Filipino workers based in Hong Kong. Ethan, a bartender, is keen on romantically pursuing Joy, a domestic helper who is wholly dedicated to providing for her family.

Park Eun-jin is a loudmouthed thirty-year-old with an abysmal track record in romantic relationships. Freewheeling and adventurous, she is also irresponsible and reckless, pushing away the timid and the cautious, yet always falling for the romantic dreams of the love-conquers-minor-details-like-my-lover’s-married-status variety. After a spectacular break-up with a co-worker, Eun-jin shares a cab ride with Kim Hyeon-seok, a nerdish, awkward young man. Against all odds, they begin a courtship and eventually decide to get married. One night, however, Eun-jin finds a suspicious text message sent to her paramour’s smartphone. Angered, she enlists the help of her female cop friend So-young and her doofus ex-marine brother Eun-gyul to get to the bottom of what she suspects is Hyeon-seok’s two-timing affair. What she finds out, however, is something else altogether.

An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.

Roscoe the Rainmaker is invited to California (with sidekick “Billy”) to relieve a terrible dry spell and to save the community from an unscrupulous businessman who stands to profit from the drought

The story of the awakening of the painter, Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.