Documentary about the work of Claude Lorius, who began studying Antarctic ice in 1957, and, in 1965, was the first scientist to be concerned about global warming.

Mrs. Vera’s Daybook tells a story of historic activism and community art through the works of two San Francisco artists, who also happen to be long-term AIDS survivors. During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged. Supporters, fellow activists and members of the queer art community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.

In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.

No Place To Call Home chronicles the lives of several people born and raised in Jesus People USA Evangelical Covenant Church, a religious sect on Chicago’s north side. The film is essentially a story within the story as the director details how he began exploring his past of growing up in the sect, and his discovery of dozens upon dozens of cases of child sexual abuse, of which many were allegedly unreported by the sects leadership. – Jaime M Prater

A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album “Speaking in Tongues.” The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.

The first film to fully expose the humanitarian crisis of North Korea, this stylish, deeply moving documentary is centered around astonishing interviews with survivors of North Korea’s vast and largely hidden prison camps, and interspersed with archival footage of North Korean propoganda films and original art performances.

Not since the invention of the Internet has there been such a disruptive technology as Bitcoin. Bitcoin’s early pioneers sought to blur the lines of sovereignty and the financial status quo. After years of underground development Bitcoin grabbed the attention of a curious public, and the ire of the regulators the technology had subverted. After landmark arrests of prominent cyber criminals Bitcoin faces its most severe adversary yet, the very banks it was built to destroy.

Patton Oswalt delivers a fresh hour plus of stand-up, covering everything from misery to defeat to hopelessness. It’s his most upbeat special to date.

You will see Travis Pastrana and the whole Nitro Circus crew perform some of the most ridiculous, awe-inspiring, and simply insane stunts ever caught on camera. Coming to you in three dimensional glory, it will feel like you are there sitting shotgun with the crew.

A retrospective of Peter Jackson’s “The Frighteners” featuring new interviews with the cast & crew.

Following the rise and fall of the new American oil boom, My Country No More paints an intimate portrait of a rural community in crisis, forced to confront the meaning of progress as they fight for a disappearing way of life.

When professional mountain biker Paul Basagoitia suffers a devastating spinal cord injury (SCI), his life is changed in an instant. Discovering that he’s become paralyzed, Paul begins a grueling battle against his own body and mind, in the hope of one day being able to walk again. A chorus of other diverse SCI survivors weaves through the film, shining light on the struggles that Paul now faces.